Mark Lanegan Band Clear Spot 2003 US CDEP Here Comes That Weird Chill (Methamphetamine Blues, Extras & Oddities) on Beggars Banquet Records Ex-Screaming Trees and Queens Of The Stone Age frontman, Mark Lanegan has put his own band together. Originally intended as a single from the album this release has grown into an 8 track EP of session out-takes that includes a version of ‘Clear Spot’. Thanks to Dave Crunelle for telling me about this one. Andrew Lange Sure Nuff ‘n’ Yes I Do 2008 live (unreleased) Andrew Lange does a fine energetic one-man-band version, playing guitar, bass drum, snare drum and high-hat. It’s on Youtube if you want to take a look.
Alvin Youngblood Hart Ice Rose 1998 US CD Territory on Hannibal HNCD1431 In an interview with Down Beat magazine (September 2003) Hart said:- Beefheart is a major inspiration. Maybe a lot of people don’t get it, but I feel like I get it. He’s a cartoon character, just like Rocky & Bullwinkle. He’s part Howlin’ Wolf and part Ornette Coleman. It just “always seems to come out right”. Jesse Hartley Drop Out Boogie 2016 UK CD Extraordinary Renditions on Deek Recordings Released as part of an oddball various artists covers compilation this is the only Beefheart cover. It’s best listened to whilst watching the very inventive
Terry Edwards & The Scapegoats Ice Cream For Crow 2000 UK 7″ Ice Cream For Crow/ Tailgating on Damaged Goods Records DAMGOOD146 2000 UK CD Large Door on Damaged Goods Records DG148 Saxophone player honks his way through ‘Ice Cream For Crow’ in a sort of punk/rockabilly style on a limited edition (500 copies) yellow vinyl. Manically good fun. Erase Errata Clear Spot date? German 7″ vinyl on Tomlab TOM U/103 Erik 4-A & Friends Frying Pan (instrumental) 2001 US CD Hold The Vocals. A tribute to the instrumental hits of the 50s 60s 70s on Go-Kustom Records GKR008-2 An interesting album this one but I can’t help thinking that
The 012 Blabber ‘n’ Smoke 1981 UK tape White Patterns On Her Dress on Funky Weird Tapes FW001 19?? UK vinyl Various Artists : We Couldn’t Agree On A Title on ICR001 Funky Weird produced a series of deliberately lo-fi (before the term was used) cheaply recorded tracks and released them on cassette only. This is probably the first cover version of Blabber ‘n’ Smoke attempted. It’s not bad considering the guitars and drums are being played in what seems to be an attempt at out of tune punk version of the ‘Trout Mask’ sound. The compilation album is of artists who recorded at London’s Street Level studio. Thanks to Arild Stromsvag for
Ever since Don started complaining about the ‘bromo seltzer’ that had been added to the Strictly Personal album fans have wondered what it would have sounded like without Bob Krasnow’s pyschedelicized production. Surely the pristine untreated master tapes were tucked away in storage somewhere people thought. Not so. Gary Marker said that it was highly unlikely because Krasnow had used the master copy for all the phasing etc. he had added to the album’s sound which meant the original raw recording of the band was lost. Over the years various collections of alternate versions of many of the Strictly Personal songs have turned up and
IT #41, 4 – 17 October 1968 From John Peel’s ‘Perfumed Garden’ column in the legendary sixties ‘hippy’ newspaper IT (International Times). This review of Strictly Personal takes up half of the column space and appears to be based on an acetate version given to him by Beefheart himself – this would have been during the band’s tour of the UK in July 1968. Other bands mentioned by Peel after this review included Duster Bennett, MC5, Principal Edwards Magic Theatre, The Liverpool Scene, Bridget St John and Brian Jones. The autumnal air is heavy with promise – a new Beefheart LP is on the way.
The front cover of Strictly Personal was, at the time, quite unusual although it didn’t really hint at the strangeness that lay within those vinyl grooves. However, if you opened up the gatefold sleeve you were confronted head-on with the weirdness that was Captain Beefheart and His Magic Band even if he did say himself that “I may be hungry but I sure ain’t weird”. This certainly wasn’t your usual band photo call, no cheesy smiles, no macho posturing and no dodgy hairdos. Have you ever wondered who was who in that iconic photograph by Guy Webster? Well, we can tell you. Thanks to Jerry
The late Gary Marker, a jazz and session bassist at the time, was a close associate of Don Van Vliet during the 1960s. He produced some demos for the band, as well as early versions of some of the Safe As Milk songs. He also played bass on Moonlight on Vermont and Veteran’s Day Poppy on Trout Mask Replica. Gary often graced the online forums devoted to chat about Beefheart where he responded to questions and comments freely and extravagantly in his own inimitable way. Here are some of his posts concerning the Strictly Personal album. In 2001 Gary was asked about the lines “Cheese in
This release, Vault Package #36, by Jack White’s Third Man Records has caused a bit of a buzz amongst fans not least because of the way it had to be pre-ordered on subscription via the label’s website and at $60 it was not cheap. Understandably the cost put many people off but plenty more battled with the website and signed up for it. Third Man Records blurb: In full partnership with the Zappa Family Trust and to celebrate the relaunch of the seminal Bizarre label imprint, Third Man Records is proud to announce its 36th Vault package focused squarely on Captain Beefheart and the Magic
(Over The Edge Radio Show & Cassette Only Release) Radio Voices Series Volume Three Ammunition Press (distributed by Beat Books, Berkeley, California) 1995 Contents of Booklet Jack Lantern Eyelid (poem) A Metabiography of Don Van Vliet, Hair Pie, Bake One Doctor Dark Corner (North) BeefQuest (quiz) Doctor Dark’s Penances for Wrong or Right Answers A Metabiography of Don Van Vliet, Hair Pie, Bake Two Doctor Dark Corner (South) Captain Beefheart and His Magic Band (poem) Doctor Dark Corner (East) Beef Art (Crosley Bendix and Doctor Sigmund Void discussion) New Work (poem) A Metabiography of Don Van Vliet, Hair Pie, Bake Three The D.T.’s (poem) Source
Find out who has recorded which of Don’s songs through this list arranged by the song title. If you prefer you can return to the list arranged by artist 25th Century Quaker – Matthew Lewis _________________________ A carrot is as close – Black Gang Brokeback Fast ‘n’ Bulbous The Fourfathers Benjamin Horrendous Henry Kaiser Eli Litwin Gary Lucas Meridian Arts Ensemble Rosa Ensemble & Hans Dagelet Swedish Tribute Band _________________________ Abba Zaba – Azalia Snail Big Eyed Beans From Venus Built To Spill Fast ‘n’ Bulbous John French Lisa Kelly Radio I Ching SF Rock Project Voices of Africa _________________________ Alice In Blunderland –
Find out who has recorded which of Don’s songs through this list arranged by the artist’s name. If you prefer you can return to the list arranged by song title The 012 – Blabber ‘n’ Smoke 25 Suaves – Dachau Blues A Warm Palindrome – Orange Claw Hammer Nel Aspinal – Sugar ‘n’ Spikes Azalia Snail – Abba Zaba Baby Woodrose – Dropout Boogie The Balancing Act – Zig Zag Wanderer Les Bandits du Vidourle – Frying Pan The Barely Works – Tropical Hot Dog Night Tom Barman & Guy Van Nueten – Harry Irene Basketcase – Ashtray Heart The Beasts of Bourbon – Hard
featuring Nona Hendryx and Gary Lucas interpreting a selection of Beefheart favourites Sun Zoom Spark My Head Is My Only House Unless It Rains Sure ‘Nuff ‘N Yes I Do I’m Glad The Smithsonian Institute Blues (or The Big Dig) Her Eyes Are A Blue Million Miles Suction Prints Sugar ‘N Spikes When Big Joan Sets Up Too Much Time When It Blows Its Stacks Tropical Hot Dog Night Publicity blurb: … a comprehensive overview of the man also known as Don Van Vliet’s towering legacy, re-imagined and infused with new blood by vocalist extraordinaire Nona Hendryx and avant-guitar legend Gary Lucas. The World of
A Giraffe is Listening to the Radio is a collection of Beefheart songs recorded in rehearsal and performance during 1979 and 1980. Side A Electricity Moonlight on Vermont Doctor Dark The Spotlight Kid Nowaday’s a Woman’s Gotta Hit a Man Side B Owed T’Alex Clear Spot Grow Fins Lick My Decals Off, Baby Steal Softly Thru Snow Abba Zabba Review Men & Volts recordings of Beefheart songs have become almost the stuff of legend, we knew they were out there but no one seemed to have heard them. Some cassettes and later some CDRs were made available discreetly but not released on a label.
Song List Obeah Man (1966 Demo) Just Got Back From The City (1966 Demo) I’m Glad (1966 Demo) Triple Combination (1966 Demo) Here I Am I Always Am (Early 1966 Demo) Here I Am I Always Am (Later 1966 Demo) Somebody In My Home (1966 Live) Tupelo (1966 Live) Evil Is Going On (1966 Live) Old Folks Boogie (1966 Live) Call On Me (1965 Demo) Sure Nuff N Yes I Do (1967 Demo) Yellow Brick Road (1967 Demo) Plastic Factory (1967 Demo) Review If the song list appears familiar it’s because this is a straightforward copy of the first disc from the Grow Fins box
Song List Electricity (1968 live) Sure Nuff N Yes I Do (1968 live) Rollin N Tumblin (1968 live) Electricty (1968 live) Yer gonna need somebody on yer bond (1968 live) Kandy Korn (1968 live) Korn ring finger (1967 demo) The title and contents of this release are a direct rip-off of disc two from the Grow Fins set but in traditional bootleg fashion has a bunch of incorrect information in the accompanying booklet. Although the correct venues are mentioned in the text they are not matched up with the correct songs. If you haven’t figured it out for yourself tracks one and two are from the
The sound quality of Safe As Milk is something that has been discussed in one way or another quite a bit over the years. Why does it sound the way it does and which release is the best version available? Some (but not all) of the issues can be traced back to the way the album was recorded in the first place. Ry Cooder and Gary Marker have both been critical about the way Bob Krasnow and Richard Perry took the recording out the superior eight track Sunset Sound Studios and moved it to the four track RCA Studios to the detriment of the overall sound
Before the recording of the Safe As Milk album there was a studio session where a number of demos were recorded produced by Gary Marker which became known as the Safe as Milk Demos, or the Buddah Takes or the Disneyland Demos. March [?] 1967 Original Sound Studios, Los Angeles, California Producer: Gary Marker Track List Sure Nuff ‘n’ Yes I Do Yellow Brick Road Plastic Factory Electricity Abba Zaba (Follow links above to hear the songs on Youtube) The story behind the demos The band finally left the desert and moved to Los Angeles, to a rented place off Armor Road in Laurel Canyon, in
The Safe As Milk baby featured in the 27 May 1967 edition of Cashbox: … and in the 17 June 1967 edition of Billboard; This version has the ‘Beware!’ caption added. From World Countdown, June 1967: Here’s another advertisement from World Countdown, July 1967: One side of the inner sleeve of the album plus the lyrics to two songs, Sure Nuff ‘N’ Yes I Do and Zig Zag Wanderer have been crammed together for this ad. From World Countdown, August 1967: Note the presence of Ry Cooder’s replacement, Gerry McGee (second from the left), who played with the Magic Band for only two live shows and did not appear on
Song List: Hair pie: bake 1 Hair pie: bake 2 Jam one Hobo chang ba (take one) Hobo chang ba (take two) Dachau blues Old fart at play Pachuco cadaver Sugar N’ spikes jam two Sweet sweet bulbs Frownland (take one) Frownland Ella guru She’s too much for my mirror Steal softly through snow My human gets me blues (take one and cut) My human gets me blues (take two) When big joan sets up (take one) When big joan sets up (take two) Jam three China pig Blimp Herb Overdub Septic tank Jam four Jam five Jam six Publicity blurb: The Captain had a