Whilst the Michael Werner Gallery has an exhibition devoted to Don’s paintings another of his works is also on display as part of a group exhibition. This exhibition is called “Valley of Gold: Southern California and the Phantasmagoric” and includes work by Man Ray and Marcel Duchamp. According to the publicity from the gallery: Valley of Gold explores the aesthetic legacy of the European surrealists and others who worked with similar sensibilities on the art of Southern California. Examining the influence of this charged period, the exhibition traces how its effects percolated through later movements such as California abstraction, conceptual art, and Light and Space.
Updated: 4 March 2020 It’s been a while since there has been an exhibition of Don’s artwork. If you’re lucky enough you can catch this latest show called Don Van Vliet: Parapliers the Willow Dipped, Paintings 1967-1997 at Michael Werner’s Gallery in New York. Venue: Michael Werner 4 East 77th Street New York, NY 10075 Date: 31st January – 11th April (extended from original date of 31st March) Monday to Saturday 10am – 6pm There is also a pre-show reception on 30 January (6pm – 8pm) which will feature Nona Hendryx. Presumably Nona will be performing some of her Beefheart covers. If you can’t
Updated: 8 July 2017 An exhibition of art by Don is being held at Michael Werner’s New York Gallery. Titled Works on Paper it runs from 13 July to 9 September 2017. There will be about 60 pieces on show mostly ranging in price from $5,500 to $18,000 with a few exceptions at a higher price. There is no catalogue available. Michael Werner Gallery 4 East 77th Street New York, NY 10075 Opening hours: Monday to Friday 10am – 6pm www.michaelwerner.com/ Publicity blurb from the Gallery: Michael Werner Gallery, New York is pleased to present an exhibition of works on paper by Don Van Vliet. The
James Kalm shows us around the Paintings and Poems exhibition of 2007 at the Anton Kern Gallery in New York. You can also view the individual paintings from this exhibition.
[alert_box type=”info”]An exclusive review for two Don Van Vliet exhibitions from 1998 and 1999.[/alert_box] By Who & By What Is One Enlightened Or Deceived? Is it possible to judge with an uncritical eye as if Captain Beefheart never existed? Don Van Vliet – New Work 11th November – 5th December, 1998 Knoedler & Company In association with Michael Werner Gallery 19 East 70 Street New York, New York 10021 USA Don Van Vliet – Works On Paper 28th January – 26th March 1999 Michael Werner Gallery 21 East 67 New York, New York 10021 USA Captain Beefheart combed out his showbiz mane and became, after
[alert_box type=”info”]This article was taken from the 2nd September 1994 edition of The Independent newspaper.[/alert_box] Recording artist: Don van Vliet, the artist, is now back in touch with Captain Beefheart, the legend. Robert Hanks spots the difference. When he was a boy, back in Glendale, California, in the Forties and Fifties, Don van Vliet wanted to be a sculptor; at the age of 13, he even won a scholarship to study in Europe. But his parents thought that was kind of cissy, and wouldn’t let him. Instead, he went off to become Captain Beefheart, performing upright, manly blues-stroke-dada-stroke-field hollers- stroke-atonal collective improvisation with his Magic
[alert_box type=”info”]Source and date unknown. Kindly sent to me by Arild.[/alert_box] The Collected Paintings of Don Van Vliet, the once (and future?) Captian Beefheart A reporter from New York Rocker once asked poet, painter and composer Don Van Vliet – better known to many as the influential enigma of electrified clamor, Captain Beefheart – how he produced his scrawling, free-form saxophone solos. “I just paint through it,” came the Captain’s bristly, elusive reply. The first full-scale reminder of Van Vliet’s existence since his musical retirement in 1982, Stand Up to Be Discontinued (Cantz/136 pages/$40, $60 with special edition CD) further expresses that unkempt synaesthesia. Smeary
[alert_box type=”info”]John R. Lane is the Director of Museum of Modern Art, San Francisco and provided this introduction to the MoMA New Work 1988-89 exhibition catalogue.[/alert_box] Living on a cliff overlooking the Pacific since the early eighties amid the redwood forests and wildlife, Don Van Vliet has embraced painting with the same controlled passion that made him, as the avant-garde rock composer and performer Captain Beefheart, a cult figure of conspicuous influence and one of the genuine musical geniuses of the past twenty years. Self-trained as a painter and knowing relatively little about the history of art or the current scene, he is a modernist primitive
The inside image from the rather beautiful exhibition invitation. [simple_box] Paintings from the Eighties was a solo exhibition which ran from 12th July – 8th September 2001 Presented at: Michael Werner Gallery 4 East 77 New York [/simple_box] View the paintings featured at this exhibition. The exhibition also include “A Bride for Wallah” (1986, oil on canvas, 83.75 x 48 inches) which we don’t have a copy of. Can you help? Front of the exhibition invitation. Many thanks to Brainpang for very kindly sending this along.
The front of the exhibition’s promotional postcard featuring “Bat Day in the Night”, 1993. [simple_box] The Lowe Gallery\’s 2001 exhibition was a solo exhibition which ran from 7th – 20th January 2001 Presented at: The Lowe Gallery 75 Bennett Street, Space A-2, Atlanta, Georgia, 30309 [/simple_box] Exhibition features: A few items relating to the 2001 DVV exhibition at The Lowe Gallery: The Lowe Gallery’s online catalogue for the exhibition. Information from the Lowe Gallery’s exhibition postcard. Listing from the arts page of 8th January 2001’s Creative Loafing.