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Some while ago Terry sent the Radar Station this piece about his experiences working with Bob Krasnow and how he came close to releasing some exciting Beefheart music. For some reason it never got published on the site … so here it is at long last! Apologies to Terry for the delay … Terry has worked in the music business for many years, notably running his own No. 6 Records label and as Head of A&R at Elektra Records in the 1990s. ——————————————————————————— I have a fortunate history of receiving phone calls from people that I don’t know. Probably why my number has always beenRead More →

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The Radar Station is pleased to present this fascinating article by Art Tripp, aka Ed Marimba, aka Ted Cactus, drummer and percussionist for both Zappa’s Mothers of Invention and Beefheart’s Magic Band. Here he gives his take on what it was like to work for both these very different musical geniuses. Thanks to Kitty Marimba for helping to make this happen. ————————————————————————————— Zappa vs. Beefheart: What Were They Really Like? by Art Tripp “Hi, Art, this is Dick Kunc here. I was telling Frank about you, and we’re wondering if you could come down to Apostolic Studios on Friday?” “Sure, Dick. What should I bring:Read More →

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One of the many myths surrounding Don’s early years involves his association with a Portuguese sculptor called Agostinho Rodrigues (sometimes written as Augustino Rodriquez). Don’s story is that he trained under this artist and appeared on a weekly television programme with him sculpting wild animals at Griffith Park Zoo. Searches for information about Rodrigues (using variations on the spelling of his name) have come to nothing. However, in 2003 a bit more about Rodrigues, Don and animal sculpting came to light. The Rhino art box Riding Some Kind Of Unusual Skull Sleigh included a book called Splinters, a collection of personal photos and other ephemeraRead More →

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Introduction by Anton Corbijn: Finally the time has arrived… Bono will meet Captain Beefheart! Albeit from a distance – Bono is staying in a hotel in Hollywood, in the middle of the second part of the American U2 tour, performing for about 30.000 people. Don Van Vliet, alias Captain Beefheart, is at home in the north of California where he has lived for so many years now. He´s not that fond of humanity and has practically no companions except for his wife, Jan. He retired from music in 1982 and is now a well-known and gifted painter. This conversation is something I was looking forwardRead More →

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First, some background info… You said that you worked for Zappa… how long was this for and what did you do? I worked for John Williams (Art Director) for Frank’s Bizarre/Straight records. I began in 1968 and was there until August 1970. John hired me because my style was very similar to that of Cal Schenkel’s, who was working elsewhere at the time (and because, as John’s wife Suzy explained to my wife at the time, “John thinks Otis has a cool name”). Projects included the Mothers of Invention, Wild Man Fisher, the G.T.O.s, Tim Buckley, Lord Buckley, Linda Ronstadt, Lenny Bruceand last but notRead More →

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Also guaranteed to have a catastrophic effect on your love-life is the music of Captain Beefheart, subject of John Peel’s adoring if oddly po-faced tribute, The Artist Formerly Known as Captain Beefheart (Tuesday, BBC2). But then perhaps he too is a “boy thing.” Years ago, I never understood why any woman I succeeded in luring home vanished swiftly into the night as soon as I played her some of the Captain’s more tender bellowings. All this time later, I couldn’t help but be moved to find that he’d lost none of his power to soothe and elevate the spirits. “Argh, no more, please, this isRead More →

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We at the Observer can boast a couple of ancient links with Captain Beefheart, subject of tonight’s Rock Cults programme, The Artist Formerly Known as Captain Beefheart (BBC2, 11.15pm): Tom Hibbert’s band, the Angry Crabbers, played support to Captain Beefheart in a San Francisco club in 1981. `Nice set, son,’ rumbled the Captain when they came off stage. `I’ve got one word of advice to you: don’t sign with Virgin.’ Well, as those old cosmic links go, I was initially instrumental in signing the Captain to Virgin in 1974, after an eventful spring in Los Angeles that included composing a song with the Captain inRead More →

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But why did he throw it all in and go to live in the Mojave Desert? Mike Barnes finds out. “I’M a genius, I was born with my eyes open,” said Captain Beefheart back in 1972. A lot of people still agree with him. John Peel is one of them. “If there has ever been such a thing as a genius in the history of popular music, it’s Beefheart,” he says. “I heard echoes of his music in some of the records I listened to last week and I’ll hear more echoes in records that I listen to this week.” Beck, PJ Harvey and TomRead More →

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An ornery cuss is Don van Vliet, the subject of next Tuesday’s BBC2 documentary Rock Cults: The Artist Formerly Known As Captain Beefheart, introduced and narrated by No 1 Beefheart fan John Peel. Frank Zappa, for instance, was almost literally on his deathbed before he could bring himself to comment in level tones about his former musical partner, the duo having fallen out horribly and infamously almost 20 years before. Tuesday night’s fascinating programme in fact arose accidentally out of producer-director Elaine Shepherd’s previous portrait of Zappa, when, in the last TV interview before his death from cancer in 1993, the renowned hippie-maverick, satirist, independentRead More →

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Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: Reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart. When the film was first screened by the BBC, it was followed by the Anton Corbijn / Don Van Vliet short Some YoYo Stuff.Read More →

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Gary Lucas First saw Captain Beefheart play at a New York club in 1971. Their acquaintance was years old before he plucked up the courage to reveal that he played the guitar. Then Lucas’s wife became Beefheart’s manager and he was given an instrumental to play on ‘Doc at the Radar Station’ (1980). By 1982 Lucas was a full-time member of the Magic Band. It was at this point that Beefheart decided he didn’t want to make records. Lucas now has his own band, Gods and Monsters. [wp_quote]The first time I saw him perform I was just transfixed. To me it was the pinnacle: soRead More →

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Don Van Vliet is probably the only full-time painter who used to be a mythical figure in music. Once Captain Beefheart, he is soon to exhibit in Brighton. Ben Thompson sent him a fax. DON VAN VLIET lives in the small and beautifully named town of Trinidad in Northern California, up by the Oregon border, 135 ft from the ocean. He paints there. He is a painter of note – “Stand Up to Be Discontinued”, the second British exhibition of his work, arrives in Brighton in September to confound anyone who doubts this – but he used to be a painter of notes. Until theRead More →

Anton Corbijn taking Don's photo

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I am a photographer who is a friend of Beefheart’s, rather than being an authority on him. When I met Beefheart on an NME assignment in September 1980, I didn’t know much about him at all. I met him at the County Museum of Art in LA and suggested photographing him in the desert, where he’d just come from. He said yes rather reluctantly, and we drove for two-and-a-half hours. It helped that I could pronounce his name properly. Once we’d found the spot to do the pictures, he took off his hat for one shot only and then put it back on, saying, MyRead More →

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On September 30, 1993, Dave DiMartino received a phone call from Don Van Vliet. I heard that you have a new studio up there. Is it a big one? Yeah. Is it complete? Yeah. I’m painting like a house afire. (laughs) How do you spend your time now? Mostly painting? Yeah. Do you do any drawing? Oh yeah. All the time. How is your day spent up there? Do you see many people? Just paint. No people. Just painting. Are you happy up there like that? Yeah. Happy as a clam. (laughs) Does it seem as if you made your music a very long timeRead More →

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In April 2003 I received a message from Dave DiMartino, the author of the 1993 Mojo article “Yeah I’m Happy” featuring interviews with Don, various members of the Magic Band and Henry Kaiser. This article caused John French to write a letter to Mojo expressing his unhappiness with the article and apologising for any upset to Don that may have been caused. Years later, Henry Kaiser wrote to me to say that he never conducted an interview with Dave DiMartino and that the quotes attributed to him in the article were made up. Dave DiMartino contacted me around 1999 to express his sadness at JohnRead More →

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I just read the Beefheart story a week or so ago. DiMartino, the author, was supposed to send me a copy (all writers promise, most never carry out their promises.) Eventually, I stumbled on it by myself through a friend, slide guitarist Scott Colby. This letter is in apology to Mr. Van Vliet. Over the years there has been a lot of botched journalism, most recently in Mojo, concerning Beefheart and his former Magic Band members. All of us have been misquoted from time to time. Henry Kaiser has been misquoted. This all leads to misunderstandings. As the drummer for Captain Beefheart on several ofRead More →

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He is alive. A recluse. Painting in seclusion up near the Oregon border. There have been weird signals through the ether since he stopped making music 11 years ago, but they were faint, confused, unintelligible. But now Dave DiMartino has finally made contact with the man who used to be Captain Beefheart. It is entirely fitting that Don Van Vliet, painter of international repute, and one of a handful of truly legendary figures in rock ‘n’ roll, gifted us with a song entitled The Past Sure Is Tense on the last album of his career; 1982’s Ice Cream For Crow. While the former Captain BeefheartRead More →

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Don Van Vliet was born in Glendale, California, on January 15, 1941, the only child of Glenn and Sue Van Vliet. Don began showing artistic talent at a very young age but Glenn and Sue were none too keen on having an artist in the family. “Cause you know, all artists are faggots,” Don explains. When he was young, the family moved to the Mojave Desert, an isolated, brutal environment that they hoped would bleach the creative juice out of their son. But Van Vliet’s drive to translate the world around him into art only intensified; in 1966 he introduced himself to the world asRead More →

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A painter whose first one-man show in New York runs through Saturday at the Mary Boone Gallery, 417 West Broadway, may be better known to music-lovers than to the art world. The prestigious gallery, which has represented David Salle and Julian Schnabel, has a show of eight large, boldly colored canvases by Don Van Vliet, the composer, saxophonist and harmonica player who has been making records since the 1960’s as Captain Beefheart. The style of such paintings as ”Eye Whine” and ”Gum at the Bottom of the Grocery” will be familiar to owners of the albums ”Shiny Beast (Bat Chain Puller),” ”Ice Cream for Crow”Read More →