For many people on the first listen Trout Mask Replica just sounds awful. For those of us that grow to love it, it’s a masterpiece. If you don’t entirely get it yet, this 10 minute feature video from Vox nicely picks apart what’s going on and why so many of us consider it to be uniquely special. If you enjoy this and want something more in-depth then have a look at Samuel Andreyev’s analysis of Frownland and his extended conversation with John French.
Yes, it’s true the legendary guitarist of the Magic Band and MU has finally broken his silence. Although for years Jeff Cotton has kept a low profile, refusing interviews with Steve Froy for his Space Blues website and even for John French when he was compiling the sleeve notes for Grow Fins and writing his Through the Eyes of Magic book he has now agreed to talk to Samuel Andreyev. Samuel has already won the hearts of many Beefheart fans with his musicologist’s examination of the track Frownland and his video interviews with John French and Bill Harkleroad. Now he has managed to pull off
We recently posted about composer Samuel Andreyev’s Youtube analysis of the album Trout Mask Replica. A fascinating piece if you haven’t watched it yet. On the back of piece we were able to put Samuel in contact with John French and he has now posted an excellent video interview with John on Youtube lasting an hour and forty five minutes. In the interview they discuss John’s time in the Magic Band (unsurprisingly), concentrating on the time in the Trout House and the making of TMR. Take a look here: [youtube https://www.youtube.com/watch?v=Od0_LRNlE5A]
Have you ever wanted to a closer look at how the music was Trout Mask Replica works, how the different parts interlock and work with each other? The Radar Station has been contacted by Samuel Andreyev, a composer and music analyst who studied at the Paris Conservatoire. Samuel has a YouTube channel in which he analyses key 20th- and 21st-century compositions by composers such as Charles Ives, Igor Stravinsky, Earle Brown and discusses (mainly) classical music in general. In his latest YouTube posting Samuel has analysed the opening track of Trout Mask Replica, the daunting Frownland. He breaks the track down into its component parts using formal