TROPICAL HOTDOG NIGHT: attention all Captain Beefheart fans!! Sorry for the short notice, but catch this if you can Tonight Sun. March 22nd Gary’s old friend Dutch producer and Zappa-Beefheart go-to-guy Co De Kloet is broadcasting a big chunk of “The World of Captain Beefheart” concert he mounted at the Paradiso Amsterdam a few years ago — featuring Gary and the 65-piece Metropole Orkest, Nona Hendryx, Jolene Grunberg, Tom Trapp and others–on his national Dutch radio NPO program Co Live! The show begins tomorrow at 6pm UK time, 7pm Dutch time, 1pm EST. Listen live through this link: https://www.nporadio2.nl/so…/online-radio-luisteren/gedraaid Or you can find the show on their website: https://www.nporadio2.nl/soulenjazz/programmas And you can find the podcast here:
There are not many opportunities these day to hear Don’s music played live but luckily there are a few musicians out there keeping the flame alive. Here’s a couple of chances to experience this music live, one in the US and one in the UK. UPDATE: Gary has contacted us to say that the Cutting Room gig has had to be POSTPONED. We will post details when it is rescheduled. Gary Lucas is presenting his THE WORLD OF CAPTAIN BEEFHEART show featuring legendary soul diva Nona Hendryx (Labelle) on vocals. You can catch this in NYC at The Cutting Room 44 East 32nd St on
Probably one of the busiest performers on the circuit, Gary Lucas is coming to the UK in May 2018 with a solo multi-media show entitled “An Evening with Gary Lucas : From Beefheart to Buckley and Beyond”. He will be playing solo except for one show when he will be joined by the legendary former singer from Can, Damo Suzuki! Check out the dates and venues below: Friday, May 4th Liverpool Philharmonic Hall, Liverpool Saturday, May 5th The Cluny, Newcastle Sunday, May 6th St. Luke’s, Glasgow Tuesday, May 8th Florence Arts Centre, Egremont, Cumbria Thursday, May 10th FOCUS Wales 2018, Wrexham – Gary is performing
Gary Lucas will be presenting another of his Don Van Vliet tribute shows on Monday 22nd January 2018, 8pm at the City Winery, New York City. The performance will follow a similar format to previous events hosted by Gary and will feature screenings of rare video clips of Beefheart, projections of Don Van Vliet’s stunning paintings and drawings, live readings of his surrealist poetry, rare tracks and spoken word pieces, plus more surprises. This special evening will include a performance by Lucas’ latest ensemble The World of Captain Beefheart, which includes expert Beefheart practitioners Jesse Krakow on bass, Richard Dworkin on drums, Jordan Shapiro on keyboards
featuring Nona Hendryx and Gary Lucas interpreting a selection of Beefheart favourites Sun Zoom Spark My Head Is My Only House Unless It Rains Sure ‘Nuff ‘N Yes I Do I’m Glad The Smithsonian Institute Blues (or The Big Dig) Her Eyes Are A Blue Million Miles Suction Prints Sugar ‘N Spikes When Big Joan Sets Up Too Much Time When It Blows Its Stacks Tropical Hot Dog Night Publicity blurb: … a comprehensive overview of the man also known as Don Van Vliet’s towering legacy, re-imagined and infused with new blood by vocalist extraordinaire Nona Hendryx and avant-guitar legend Gary Lucas. The World of
As a teaser for their forthcoming album The World of Captain Beefheart to be released in October Gary Lucas and Nona Hendryx will be performing at Joe’s Pub at the Public Theatre, New York City. Date: 20 September 2017, shows at 7pm and 9.30pm See the Joe’s Pub site for more info You may remember Gary and Nona teamed up in 2013 with the Metropole Orchestra in Amsterdam to present their take on some of Don’s work.
Don’s last lengthy interview was by phone with Dutch radio presenter Co de Kloet. Recorded in 1993 and broadcast on Co’s show on the Dutch National Station NPS. Gary Lucas set the interview to music which he had composed. This was originally broadcast on Co’s show in 2008 and it has just been released by Okaymusic. It can be bought as a download only – get it from iTunes, Amazon.com or Amazon.co.uk Gary and Co also performed this live at the BimHuis in Amsterdam in 2012 and again at the Zappanale in Bad Doberan Germany.
Okay, so why am I reviewing a book about Jeff Buckley here on the Radar Station? Well, it’s written by Gary Lucas who had, and still continues to have, a big part to play in the music of Don Van Vliet, and I think, should interest a lot of Beefheart fans. Jawbone Press : London 2013 Paperback 318 pages 22 Illustrations Originally published in Italy in Italian this is an updated English version of Gary’s story of his “time with Jeff Buckley”, in which he wants to correct the many previously published errors about their relationship and to counter the attempts at airbrushing him out
From being a Beefheart fan Gary became Don’s manager along with his then wife, Ling. He occasionally performed on stage during the 1980/81 tours – reciting a poem (usually “One Man Sentence”, sometimes “Untitled”) or performing the solo guitar piece “Flavor Bud Living”. For the album “Ice Cream For Crow” he took up lead full-time alongside Moris Tepper while Rick Snyder moved to bass. Since the end of the Magic Band he has been very prolific in his own right, solo and within a band, releasing almost an album a year since 1991. His virtuoso solo live shows are awesome in the sounds he extracts
Catalogue number: OMWCD11 Label: Oxygen Music Works Released: 1999 Track list Rise Up To Be Bra Joe From Kilimanjaro Autobahn The Songstress On The Edge Of Heaven Album overview from Graham Johnston Gary Lucas @Paradiso is a tiny gem. It features just four tracks and 22 minutes of Gary recorded alone on stage with his guitar and electronics, and leaves you wanting about twice as much again. It was recorded at Amsterdam’s Paradiso club, at various shows that took place between 1996 and 1997, and is entirely free of overdubs, something which I find fairly mind-boggling. The four songs may well be familiar already to many
Track list: Coming Clean (Gary Lucas, vocal) And The Ass Saw The Angel (Nick Cave, vocal) Spider Web (David Johansen, vocal) Dulce (Elli Medeiros, vocal) Flavor Bud Living Her Eyes Are A Blue Million Miles (Captain Beefheart, vocal) In A Forest (Gary Lucas, vocal) Judgement (Eric Mingus, vocal) Judgement At Midnight Theme Oat Hate Follow (Richard Barone, vocal) Astro Boy (Peter Stampfel & Gary Lucas, vocal) Indian War Whoop She Was Showing Me (Mary Margaret O’Hara, vocal) Ted’s Theme Golgotha (featuring DJ Spooky) Breath Of Bones (with Gods and Monsters) Listen, You Who Dare / Improve The Shining Hour Album overview from Graham Johnston Gary Lucas
[alert_box type=”info”]This article was written by James Sullivan and appeared in 6th June 1999’s San Francisco Chronicle to coincide with the releases of Grow Fins, The Dust Blows Forward and the Buddha reissues. Many thanks to Richie for sending it along.[/alert_box] It takes an outsize ego to make great art. By all accounts that was the case with Don Van Vliet, a.k.a. Captain Beefheart, leader of the quintessential cockeyed rock ‘n’ roll band. Creators of perhaps the most obscure critically revered rock record of all time, 1969’s “Trout Mask Replica,” California’s Captain Beefheart and His Magic Band epitomized rock’s version of art for art’s sake. Misunderstood
[alert_box type=”info”]This article was written by none other than Gary Lucas, and appeared in January 1979’s Feature magazine. There follows a short reader’s letter in praise of this mighty album, taken from the following issue.[/alert_box] The album is certified Grade A 100% Beefheart. After three years without a record contract, Don Van Vliet, one of the seminal figures of contemporary music, is back with a new band and a new album easily the equal of anything he’s done before. Well, not quite a new band – Art Tripp guests on marimba whimsey, and Bruce Fowler, who accompanied Zappa and Beefheart on tour several years ago,
All photographs on this page are Copyright © 2011 Michael Kirschner. Used with permission. Gary Lucas makes the introductions before showing a selection of videos: Jerry Harrison from Talking Heads and producer of Gary’s new “Gods & Monsters” CD was the first special guest. He read two poems “Her Little Face” and “Sun Dawn Dance”: Terry Vliet, Don’s cousin, followed Jerry. He looked like he was going to break down when he began speaking about the talk he had with Jan the day Don died. In five minutes he gives us an amazing picture of Don, then read a very moving and beautiful poem he
I went to the symposium last night Jan 13 2011 with my neighbor Bret. It’s good we had the address because it was in a pretty much unmarked dark or black colored building. The address was covered with the same dark paint. The entrance was down an alley by a parking lot. Above the door was a big red sign that said absolutely nothing. The only thing that tipped us off was the line of people waiting outside. It was a pretty nice crowd. The event started about 8:30pm with Gary Lucas talking a little about Don and about how he first heard of Captain Beefheart
Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: Reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart. When the film was first screened by the BBC, it was followed by the Anton Corbijn / Don Van Vliet short Some YoYo Stuff.
[alert_box type=”info”]This first appeared in the 21st August 1994 Independent on Sunday.[/alert_box] Gary Lucas First saw Captain Beefheart play at a New York club in 1971. Their acquaintance was years old before he plucked up the courage to reveal that he played the guitar. Then Lucas’s wife became Beefheart’s manager and he was given an instrumental to play on ‘Doc at the Radar Station’ (1980). By 1982 Lucas was a full-time member of the Magic Band. It was at this point that Beefheart decided he didn’t want to make records. Lucas now has his own band, Gods and Monsters. [wp_quote]The first time I saw him
[alert_box type=”info”]From the Stand Up To Be Discontinued book, Cantz, 1993[/alert_box] Ice Cream for Crow. On the Relationship between Music and Painting in Captain Beefheart’s Work Those who, over the last twenty years, have loved the music of Captain Beefheart cannot forget that he decided to abandon the music scene (it would seem definitively) to devote himself full-time to painting. Specialist rock critics, who were left the sad task of a retrospective tribute to his career, each time have boldly tried to establish correlations bet-ween yesterday’s music and today’s painting, acting in a way that is markedly ‘reparative’ and which, implicitly placing diachronic continuity to
[alert_box type=”info”]This article first appeared in Mojo Magazine, December 1993 as an introduction to an interview with the man himself. Please also see John French’s response to this article.[/alert_box] He is alive. A recluse. Painting in seclusion up near the Oregon border. There have been weird signals through the ether since he stopped making music 11 years ago, but they were faint, confused, unintelligible. But now Dave DiMartino has finally made contact with the man who used to be Captain Beefheart. It is entirely fitting that Don Van Vliet, painter of international repute, and one of a handful of truly legendary figures in rock ‘n’ roll,
On the 5 January 2011 at the request of Los Angeles City Councilmember Paul Koretz, the City Council unanimously agreed to adjourn its meeting early in memory of Don Van Vliet. The Council member also spoke at some length about Captain Beefheart, when making his adjourning motion. Adjourning certificates are created following such an adjournment, to be sent to loved ones. In this case the certificate was passed to Gary Lucas (at his Beefheart Symposium on 13 January) for him to send on to Jan. Click the image for a larger view.