Sacred Cowboys Click Clack 2008 Australia CD Nailed to the Cross 1982-85 on Savage Beat/Loaded Skull Discs SB/LSD001 This track was only released as part of this 2CD retrospective but was recorded back in 1983 as part of a live set played at the Seaview Ballroom and broadcast on radio The Sacred Cowboys played a tough rock tinged with country and were part of the healthy Aussie scene that also included The Scientists and The Beasts of Bourbon. Satantango Clear Spot 2004 Italian CD Mr Bore on Wallace Records wallace 53 Included on as this CD as track 0, a pre-gap hidden track
Native & Silencers ZigZag Wanderer 1995 French CD Duos Taratata on Barclay 529509-2 A compilation album of material played on the French TV show ‘Taratata’. It looks like bands were encouraged to play together hence the ‘duos’ part of the album title. The song is actually listed as ‘Zig Zag’. Native is a French soul and funk band, they are two French black sisters Laura and Chris Mayne and The Silencers is a Scottish rock band. This was recorded on February 15th, 1995 and broadcast on March 24th, 1995 on French second channel. You can see a video of this on www.mytaratata.com Thanks to Daniel Mercurin for extra information about this one. Nectarine
Mark Lanegan Band Clear Spot 2003 US CDEP Here Comes That Weird Chill (Methamphetamine Blues, Extras & Oddities) on Beggars Banquet Records Ex-Screaming Trees and Queens Of The Stone Age frontman, Mark Lanegan has put his own band together. Originally intended as a single from the album this release has grown into an 8 track EP of session out-takes that includes a version of ‘Clear Spot’. Thanks to Dave Crunelle for telling me about this one. Andrew Lange Sure Nuff ‘n’ Yes I Do 2008 live (unreleased) Andrew Lange does a fine energetic one-man-band version, playing guitar, bass drum, snare drum and high-hat. It’s on Youtube if you want to take a look.
Alvin Youngblood Hart Ice Rose 1998 US CD Territory on Hannibal HNCD1431 In an interview with Down Beat magazine (September 2003) Hart said:- Beefheart is a major inspiration. Maybe a lot of people don’t get it, but I feel like I get it. He’s a cartoon character, just like Rocky & Bullwinkle. He’s part Howlin’ Wolf and part Ornette Coleman. It just “always seems to come out right”. Jesse Hartley Drop Out Boogie 2016 UK CD Extraordinary Renditions on Deek Recordings Released as part of an oddball various artists covers compilation this is the only Beefheart cover. It’s best listened to whilst watching the very inventive
Terry Edwards & The Scapegoats Ice Cream For Crow 2000 UK 7″ Ice Cream For Crow/ Tailgating on Damaged Goods Records DAMGOOD146 2000 UK CD Large Door on Damaged Goods Records DG148 Saxophone player honks his way through ‘Ice Cream For Crow’ in a sort of punk/rockabilly style on a limited edition (500 copies) yellow vinyl. Manically good fun. Erase Errata Clear Spot date? German 7″ vinyl on Tomlab TOM U/103 Erik 4-A & Friends Frying Pan (instrumental) 2001 US CD Hold The Vocals. A tribute to the instrumental hits of the 50s 60s 70s on Go-Kustom Records GKR008-2 An interesting album this one but I can’t help thinking that
C Cat Trance Orange Claw Hammer 2005 UK CD Karadara – Best Of on Cherry Red Records CDMRED280 This cover was recorded some time ago by John Rees Lewis, singer/sax player with the band Medium Medium, who were part of the punk/funk scene along with A Certain Ratio, 23 Skidoo and Rip Rig & Panic in the 1980s. The band cited Beefheart as an influence although Lewis was the bigger fan. It was with his next band, C Cat Trance, that he recorded Orange Claw Hammer to which he added “a bassline and stuff to it”, for an album that didn’t get released because the record company, Red Flame, folded. Unofficial cassettes of
The 012 Blabber ‘n’ Smoke 1981 UK tape White Patterns On Her Dress on Funky Weird Tapes FW001 19?? UK vinyl Various Artists : We Couldn’t Agree On A Title on ICR001 Funky Weird produced a series of deliberately lo-fi (before the term was used) cheaply recorded tracks and released them on cassette only. This is probably the first cover version of Blabber ‘n’ Smoke attempted. It’s not bad considering the guitars and drums are being played in what seems to be an attempt at out of tune punk version of the ‘Trout Mask’ sound. The compilation album is of artists who recorded at London’s Street Level studio. Thanks to Arild Stromsvag for
“That’s right, The Mascara Snake!” The Radar Station was saddened to hear that Victor Hayden (aka The Mascara Snake) had died on 7th December 2018. His death was announced by Pamela Des Barres on her Facebook page. She had known Victor since high school and called him her ‘soulmate’. In recent years she had acted as agent for his artwork. However, she gave no details about the cause of his death but Steve Brewster contacted us to tell us the tragic news that Victor had been hit by a van ten days ago and never recovered. Victor was Don Van Vliet’s cousin. During the late
Yes, it’s 50 years since the band’s second album, Strictly Personal, was released. It was October 1968 in the US and December 1968 in the UK. The recording of the follow-up to Safe As Milk had begun back in November 1967 not long after Jeff Cotton had joined the band to replace Jerry McGee. However, these recordings were destined to remain unissued for a few years and the band had a second go at recording the album in May 1968. It was these later sessions that were to be eventually released by Blue Thumb in the US and Liberty in the UK as Strictly Personal.
Ever since Don started complaining about the ‘bromo seltzer’ that had been added to the Strictly Personal album fans have wondered what it would have sounded like without Bob Krasnow’s pyschedelicized production. Surely the pristine untreated master tapes were tucked away in storage somewhere people thought. Not so. Gary Marker said that it was highly unlikely because Krasnow had used the master copy for all the phasing etc. he had added to the album’s sound which meant the original raw recording of the band was lost. Over the years various collections of alternate versions of many of the Strictly Personal songs have turned up and
IT #41, 4 – 17 October 1968 From John Peel’s ‘Perfumed Garden’ column in the legendary sixties ‘hippy’ newspaper IT (International Times). This review of Strictly Personal takes up half of the column space and appears to be based on an acetate version given to him by Beefheart himself – this would have been during the band’s tour of the UK in July 1968. Other bands mentioned by Peel after this review included Duster Bennett, MC5, Principal Edwards Magic Theatre, The Liverpool Scene, Bridget St John and Brian Jones. The autumnal air is heavy with promise – a new Beefheart LP is on the way.
The front cover of Strictly Personal was, at the time, quite unusual although it didn’t really hint at the strangeness that lay within those vinyl grooves. However, if you opened up the gatefold sleeve you were confronted head-on with the weirdness that was Captain Beefheart and His Magic Band even if he did say himself that “I may be hungry but I sure ain’t weird”. This certainly wasn’t your usual band photo call, no cheesy smiles, no macho posturing and no dodgy hairdos. Have you ever wondered who was who in that iconic photograph by Guy Webster? Well, we can tell you. Thanks to Jerry
The late Gary Marker, a jazz and session bassist at the time, was a close associate of Don Van Vliet during the 1960s. He produced some demos for the band, as well as early versions of some of the Safe As Milk songs. He also played bass on Moonlight on Vermont and Veteran’s Day Poppy on Trout Mask Replica. Gary often graced the online forums devoted to chat about Beefheart where he responded to questions and comments freely and extravagantly in his own inimitable way. Here are some of his posts concerning the Strictly Personal album. In 2001 Gary was asked about the lines “Cheese in
Yes, it’s true the legendary guitarist of the Magic Band and MU has finally broken his silence. Although for years Jeff Cotton has kept a low profile, refusing interviews with Steve Froy for his Space Blues website and even for John French when he was compiling the sleeve notes for Grow Fins and writing his Through the Eyes of Magic book he has now agreed to talk to Samuel Andreyev. Samuel has already won the hearts of many Beefheart fans with his musicologist’s examination of the track Frownland and his video interviews with John French and Bill Harkleroad. Now he has managed to pull off
Oil on Linen 46 x 38.5 inches / 117 x 98 cm
This release, Vault Package #36, by Jack White’s Third Man Records has caused a bit of a buzz amongst fans not least because of the way it had to be pre-ordered on subscription via the label’s website and at $60 it was not cheap. Understandably the cost put many people off but plenty more battled with the website and signed up for it. Third Man Records blurb: In full partnership with the Zappa Family Trust and to celebrate the relaunch of the seminal Bizarre label imprint, Third Man Records is proud to announce its 36th Vault package focused squarely on Captain Beefheart and the Magic
Since his heart surgery Mark Boston aka Rockette Morton, bassist extraordinaire for the Magic Band, has had to take things a bit easier so he has taken up creating art. His elaborate, swirling images of aliens, tubes and streamers are vibrant as well as full of colour and humour. These pieces are for sale. See below for more details. The Radar Station asked Mark a few questions to get the background on his move from musician to artist: Radar Station: Firstly, I think all your fans would like to know how your are healthwise these days. Rockette Morton: The heart surgery was a success but
Robert Williams, the Beefheart drummer from 1977 to 1981, recently posted on his Facebook page that he has a serious medical condition that will require major brain surgery. Sadly he has been diagnosed with a Glioma brain tumor which will have to be removed. Fortunately the procedure will be covered by MediCal. However as Robert is self-employed he will be unable to work whilst in hospital and when recovering from the operation. To help him meet his living expenses during this stressful time his son has set up a gofundme page where you can donate something to help him. If you are able help please
Kristine McKenna is an American music journalist who has written for Wet, NME, Rolling Stone, Vanity Fair, The New York Times, The Washington Post and many other publications. Over the years she has often written about Don, having interviewed him a number of times she was trusted by him and became a friend of his. In 1987 she had Don take part in a phone-in programme with her on her late night KCRW show. Some of this show is included in ‘Electricity: Conversations With Captain Beefheart’ available as part of KCRW’s ‘Lost Tapes’ series. In this Kristine talks about her encounters with Don and also
Probably one of the busiest performers on the circuit, Gary Lucas is coming to the UK in May 2018 with a solo multi-media show entitled “An Evening with Gary Lucas : From Beefheart to Buckley and Beyond”. He will be playing solo except for one show when he will be joined by the legendary former singer from Can, Damo Suzuki! Check out the dates and venues below: Friday, May 4th Liverpool Philharmonic Hall, Liverpool Saturday, May 5th The Cluny, Newcastle Sunday, May 6th St. Luke’s, Glasgow Tuesday, May 8th Florence Arts Centre, Egremont, Cumbria Thursday, May 10th FOCUS Wales 2018, Wrexham – Gary is performing