This 30 minute interview by phone with Bill Harkleroad was recorded by Waldemar Hepstein on 28 November 1999 for the Norwegian student radio station For-Sort Kanal in Oslo.
Takes on more Captain Beefheart music. Song List Pachuco Cadaver Moonlight on Vermont Nowadays A Woman’s Gotta Hit A Man Low Yo Yo Stuff Semi Multicoloured Caucasian Abba Zaba When Big Joan Sets Up Suction Prints Alice In Blunderland Woe-Is-Uh-Me-Bop Kandy Korn Willie the Pimp (live) Tracks 1 – 11 recorded at The Clock Tower Studios, Edinburgh May 2019 & Jan/Mar 2020 Track 12 recorded live at Henry’s Cellar Bar, Edinburgh August 2019 Now here’s an album I’ve been waiting to hear. This is the follow-up to Orange Claw Hammer’s first outing Cooks The Beef which reworked a bunch of Beefheart tunes for the 21st
Wow, how about this cover version of Steal Softly Thru Snow! The Android Trio, Andy Niven, Eric Klerks and Max Kutner, are in fact from the last incarnation of the reunion Magic Band. It’s great to see that they learnt their lessons well from John Drumbo French and that they are keeping the Beefheart flame burning. Guest vocalist, Peter Niven’s vocals are throat-shredding and are closer to grindcore than Beefheart but, amazingly, it works. Check out the band on Bandcamp – https://androidtrio.bandcamp.com/
In 2020 Greg Bendian, who runs the ProgCast channel on YouTube interviewed Bill Harkleroad, aka Zoot Horn Rollo. They discuss details of his work on Trout Mask Replica, and Lick My Decals Off, Baby, as well as their collaboration on Bill’s excellent solo album, We Saw A Bozo Under the Sea. Greg played drums and vibes on Bill’s album.
In November 1980 whilst Don was in London as part of his UK tour with the Magic Band, music journalist David Hepworth recorded this short interview with him.
Recorded in December 1980 music writer Dave Di Martino talks with Don
In late 1970 Bob Chorush recorded this lengthy interview with Don. It formed the basis for an article by Bob that was published in Coast Vol. 12 #4 April 1971. A few years ago Bob sent me his original tapes of the interview. They have since escaped into the wild
An interview with Don on the Boston radio station WBCN.
Composer and musicologist Samuel Andreyev interviews bass player Mark Boston, the third in his series on interviews with musicians who played on Trout Mask Replica.
Composer and musicologist Samuel Andreyev interviews guitarist Bill Harkleroad, the second in his project to interview all the musicians who played on the Trout Mask Replica album. This lengthy interview is in two parts.
Composer and musicologist Samuel Andreyev continues his project to interview all the musicians from the Trout Mask Replica with the first ever interview with guitarist Jeff Cotton.
Composer and musicologist Samuel Andreyev begins his project to interview all the musicians who played on the Trout Mask Replica album. He begins with drummer and arranger John Drumbo French
Composer and musicologist Samuel Andreyev talks to percussionist Art Tripp about his time in the Magic Band as well as his classical music experience
On 23 July 1993 Dutch radio presenter Co de Kloet recorded a wonderfully relaxed Don for this telephone interview for the ‘Supplement’ programme Radio 4 in Holland. Co has been a great advocate for Don and his music as well as Frank Zappa. Don’s voice is weak but his mind is still sharp. It’s a great interview.
Zappa talks about the Captain Beefheart/Grunt People movie, Donnie Vliet and Grown So Ugly and Don’s carved werewolf head. I think the date, 1969, is correct and it seems to have been recorded as a radio show. If anyone has more detail about when, where etc., please let us know.
A winter night in January 1981 I drove up to Reseda in Los Angeles to see Captain Beefheart and his Magic Band at the Country Club. It was a fantastic concert and Don and the band were flying. At the time I was working for the Danish Radio as a freelancer and I asked a guy at the door if Don would be available for an interview. To my surprise he came out and told me to meet Don at a Denny’s restaurant across the street. And there he came in his stage-clothes, very nice and we talked as you can hear here. After the
Available on Bandcamp the PRF Monthly Tribute Series is an ongoing project which challenges musicians to attempt covers of a particular band or artist. The musicians are given a month to record songs by that band, or about that band, or in the style of the band. In September 2019 the 63rd in the series it was the turn of Captain Beefheart. Situations – Grown So Ugly (3:19) – this track races along as a straightforward rock song rather than following the blues of the original Doctor Coffee – Dropout Boogie (2:42) – a similar arrangement to the SAM track complete with waltz-style break but
Released January 29th 2021 through NYC’s Knitting Factory Records, Gary Lucas’s 40 year career is celebrated with this 36 track 2CD set. The first CD concentrates on songs recorded with Gary Lucas’s art-rock psychedelic supergroup Gods and Monsters. The second CD is devoted to Solo, Rarities and Collaborations. Drawing on a wealth of material – including rare and previously unreleased tracks — the deluxe double disc package offers ample evidence of this maverick artist’s trailblazing and unique career — going back to his earliest appearances on record and stage with Captain Beefheart in the early 80’s, which put Gary on the musical map … to his
Don would have been 80 years old today. To celebrate that milestone Gary Lucas has written a piece for the Please Kill Me website about the dysfunctional relationship between Don and Frank Zappa. Gary offers his take on the rivalry between to the two old friends and also looks at the recording of the last Beefheart album Ice Cream For Crow. Read the article – Don Van Vliet and Frank Zappa: Two Peas In A Misshapen Pod Another album that gets mentioned in the article is Doc At The Radar Station which last year reached its 40th anniversary. Gary devoted three of his Facebook
Originally published in the Wall Street Journal December 19, 2010 Noted avant guitarist and composer Gary Lucas was a colleague and friend to Don Van Vliet, better known as Captain Beefheart, who died Friday. Calling him “the most compelling conceptualist I’d ever heard,” Lucas once told the Journal that Van Vliet had “taken the structure of the jazz and blues and rebuilt it like no one else had.” We asked him to record his thoughts about his mentor and friend. Don Van Vliet was an American maverick visionary genius who single-handedly changed the face of music we know it over a dozen uncompromising albums. He