I have great respect for anyone who attempts to cover any of Beefheart’s songs. So what do you say when someone decides to cover a whole Beefheart album! Well, that’s just what Benjamin Horrendous has done. Singlehandedly, he’s (in his own words) ‘messed’ with each song from The Spotlight Kid to come up with his own vision of this great album. Find out more about it at Benjamin’s site.
The graphic designer and photographer Tom Wilkes died on 28 June from a heart attack. He was 69. Most well known to Beefheart fans for his work on the Safe As Milk album he was involved in the design of many, many others. For more detailed obituaries check out the LA Times and the Independent. Thanks to ‘anonymous’ for the heads up about this sad news.
Two of Beefheart’s earliest albums have been given the Japanese mini LP treatment. You can now get exact copies of the original Safe As Milk and Mirror Man vinyl albums but as compact discs. These are exquisite … you even get a mini version of the SAM bumper sticker and MM comes complete with the gatefold die-cut shattered mirror effect cover. Although the packaging replicates the original album the tracks on them are the remastered versions with the extra songs that were released in 1999.- so the sound quality is excellent. In fact, SAM sounds even better than the 1999 copy I have. These are
We’ve just received an announcement about the Fast ‘N’ Bulbous performance scheduled for Tuesday, March 10th in New York. Fast ‘N’ Bulbous performs at (Le) Poisson Rouge Tuesday March 10th 2009. NOTE: GUITARIST GARY LUCAS HAS FALLEN ON THE ICE AND INJURED HIS ELBOW. HE IS EXPECTED TO MAKE A FULL RECOVERY, BUT WILL NOT BE ABLE TO APPEAR AT TUESDAY’S PERFORMANCE. HOWEVER FAST ‘N’ BULBOUS WILL STILL PERFORM AS SCHEDULED, AND PLAY MUSIC FROM THE NEW RECORD. GUITARIST PAT IRWIN (B52s, Raybeats. Eight-Eyed Spy) WILL FILL IN FOR GARY FOR THIS GIG. COME ON DOWN FOR A GREAT SHOW! Celebrating the release of their
Captain Beefheart at The White House The next time you’re visting The White House please do have a glance at your hosts vinyl record collection. According to Rolling Stone magazine The White House Record Library includes at least one Captain Beefheart album, Trout Mask Replica. Whether The White House copy of Trout Mask has ever been played, or whether the collection has been added to since 1981 is not mentioned. Mighty Boosh and the £23,000 Van Vliet Noel Fielding of Mighty Boosh has reportedly bought his parents a painting on canvas by Don Van Vliet. The Sun newspaper writes that he paid £23,000 for the
John French’s new album City of Refuge has been gathering some very good reviews, as well as attracting the inevitable comparisons to Captain Beefheart albums. The Independent review commented, 12 new songs voiced by Drumbo himself in full Beefheart pastiche mode. How can it work? Reasonably well, as it goes, given the absence of the Cap himself. Guitars cut and thrust, time signatures jerk around and the songs stand up for themselves. Uncut magazine’s full page piece about Drumbo’s album included this, Does it add up to more than left-overs from a bygone era? If nothing else City of Refuge strikes a blow for musical
..the secret, really, to understanding, to dwelling within, Trout Mask Replica is to make sure it’s the first record you ever hear.. Marcello Carlin wrote some excellent music appreciation in his now defunct blog. He dealt with subjects from Laura Nyro to Gnarls Barkley, but what he wrote about Trout Mask Replica at The Church of Me in April 2006 will be of most interest here. ..Trout Mask Replica is really a set of hallucinatory nursery rhymes, thus “Ella Guru” and “Sweet Sweet Bulbs” and “Sugar ‘N Spikes” somersault their way through mathematical rods and make you want to slide down banisters and pass the
Alison Mosshart of The Kills has again been committing her thoughts about Captain Beefheart to the media. This time, in The Independent, she fantasizes about Captain Beefheart dueting on Harry Irene with Kim Gordon, Moe Tucker on drums and Guy Picciotto on guitar. He sounds haunting, forceful, confident and humorous, of the future and of the past, all wrapped up in one whip of the tongue. The Black Keys version of Her Eyes Are A Blue Million Miles will appear on a new compilation of classic songs taken from Warners back catalogue and covered by present-day Warners artists. Covered, A Revolution in Sound: Warner Bros.
Mikko Kapanen, lead singer and guitarist of Helsinki, Finland based “psychedelic hard rock” band Spektriis wrote in. The band is currently finishing up work on its debut album which they are hoping to have released some time in the first half of 2009. “The reason I’m telling this,” Mikko wrote, “is that we had the immense pleasure of getting Bill Harkleroad to record a guitar solo for one of the tracks. We have uploaded five out of the ten tracks on the album to our MySpace profile at http://www.myspace.com/spektriis including the track in question, called “Black Hole Eyes”. We made a point of not mentioning Harkleroad’s participation
Drumbo’s publicity people at Proper Records have recently been trickling information and soundbites from his new album City of Refuge, due for release on November 10th. This is of course the album which features five former Magic Band members – John French himself, Bill Harkelroad, Mark Boston, Greg Davidson and John Thomas. Now for the first time Proper Records has posted an entire track from the album. Get So Mean can be heard at a new page at Proper Records website, where you can also download some high resolution photographs and read the press release for the CD. At John French’s MySpace page there are
It Comes To You In A Plain Brown Wrapper was intended to be the name of the second Captain Beefheart album, a double album recorded late in 1967. This album never saw the light of day, which has given rise to not a little speculation and discussion among fans of Captain Beefheart. Tracks from the original sessions have been used on several re-release and compilation albums, but until now no record company has attempted to reconstruct It Comes To You In A Plain Brown Wrapper as an album in its own right. On July 22nd, Sundazed Records will do just that, when they release a
Rhino release a downloadable Beefheart sampler In a flurry of no publicity at all, Rhino Records have released their first scratchproof Captain Beefheart album. It is available only as a download. Rhino Hi-Five: Captain Beefheart & The Magic Band is a compilation of five tracks recorded between 1969 and 1978. It includes two live cuts and what Rhino describe as a remastered LP version of the song Bat Chain Puller. Bat Chain Puller was remastered to its sonic advantage for Virgin/EMI’s 2006 Captain Beefheart re-release CDs. The live tracks are from Rhino’s limited edition Beefheart CD, My Father’s Place. The other two tracks are taken
It has been a while since we last had news of a performance from Big Eyed Beans from Venus, the Athens, GA based Captain Beefheart tribute band. This week there are two. This Thursday, May 22nd, sees them play at Lenny’s in Atlanta, “This we be the most awesome show yet heard by man or woman alike,” as Lenny’s website informs us. On Friday, May 23rd, Big Eyed Beans from Venus turn up at their old floppy boot stomping ground in Athens, Caledonia Lounge. I’m told that the set list will be mainly compositions from Trout Mask Replica and earlier. At Southern Shelter you can
Beefheart Night at New York’s Knitting Factory on April 9th has prompted many eye-witness accounts, photographs, and audio and video files from the event. Here are links to some of them. David Lynch reads Pena Robyn Hitchcock & Gary Lucas perform Sure ‘Nuff ‘N’ Yes I Do Glenn Kenny’s account Photographs from Prefix Mag / Lori Baily Gary Lucas’s blog Monday April 14, 2008 ‘An Inspired Evening of Beefheartiana’ by Steve Holtje As soon as Culture Catch’s film of the event is released, we’ll link to it here. Peter Warner wrote this review of the evening: For the Love of Don… And what a glorious
Beefheart Night at The Knit, the April 9th tribute to Captain Beefheart in New York, promises to have even more treats and surprises than we listed at Up Sifter here on February 23rd. There are so many more treats and surprises in fact, that Fast ‘N’ Bulbous: The Captain Beefheart Project’s performance of Don Van Vliet compositions has been put back from 10.00 to 11.00 to fit them all in. Fast ‘N’ Bulbous, incidentally, will be previewing some arrangements from a planned second CD, as well as playing material from their first CD. Among the additional speakers to have been added to the already burgeoning
This item has been updated with a new post, Even more treats at The Knit, 2 April 2008. Update – 9 March 2008 Wednesday 9th April at The Knitting Factory Main Space, 74 Leonard Street, New York City. Gary Lucas curates Beefheart Night at the Knit, a salute to the Music, Poetry and Art of Don Van Vliet, a/k/a Captain Beefheart. Proceedings beginning at 8:00pm with a screening of rare Beefheart videos and documentaries and the spinning of unreleased tracks. This is followed by a reading of Don Van Vliet’s poetry, and reminiscences by special guests including: Lee Ranaldo Alan Vega Roswell Rudd Kurt Loder
During the filming of The Magic Band DVD Mark Boston (Rockette Morton) remarked that the music of Captain Beefheart and The Magic Band was, “like bluegrass only weirder”. Mark Boston’s potential epithet sprang into my head last night when I read an article by Danny Barnes, the former Bad Livers frontman, and guitarist and banjo-player of blue-grass, alt-rock-country, jazz-frisell, and various other genres. In his essay, Danny describes his take on what Don Van Vliet achieved in his recording of Trout Mask Replica. Danny is particularly interested in Captain Beefheart’s synthesis of different musical and sonic elements and he points out some potentially exciting musical
In June of 2007 I read a plug for “I Wanna Find Me A Woman That’ll Hold My Big Toe Till I Have To Go” in Kyle Gann’s blog. The composer Art Jarvinen had used Don Van Vliet’s composition to illustrate an article which he had written about metametrics. This aroused my interest because it didn’t strike me that Captain Beefheart was a normal point of reference in the contemporary new classical music or conservatoire world. My feeling was, that in that milieu, Beefheart was more of a footnote than an example. If he was used as an example, wouldn’t he exemplify a particular professor’s
If you went to the 1972 Bickershaw festival you probably have great memories of it. There were some excellent bands playing and the Beefheart set was supposed to have been particularly inspiring. For years an audience recording of the performance has been circulating and despite it’s sound quality failings you can still hear that the band were on top form. This recording has now been released commercially by Ozit. What do we think of it … what do you think? Read the full review
Several home-made versions of Captain Beefheart numbers have been posted at nearby websites in the past few days. EvilFactman’s work in progress, Big Dummy, is at iCompositions. The vocals are not so far included. Matt LeGroulx’s versions of Hobo Chang Ba, Hot Head and One Red Rose That I Mean along with a Sugar ‘N Spikes (which is also waiting for its vocal track) are at his MySpace page. Matt says that Rockette Morton helped him out with cds of the individual guitar, bass and drum parts to make it easier for him to figure them out.