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Gary Lucas has sent us some previously unseen drawings by Don. These were drawn in a large notebook (8.5 x 11 inches) which Gary carried everywhere during 1980 to 1984 and used for Beefheart related business — “dictated lyrics, poems, observations he wanted me to write down, business contacts etc.” (click on the image for a larger version) #1  “Untitled Abstract “ Don drew this in November 1980 towards the back of the notebook using a black marking pen. #2 “Growlin Poeé” (dated 11 / 11 / 82) #3 “Early Phoe Faux Thump” (11-11-82) The last two drawings Don drew in NYC during a periodRead More →

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A collection of Don’s paintings and drawings is being exhibited at Michael Werner’s Cologne Gallery from 4 September to 16 October 2021, under the title “Ralf Love Don”. Galerie Michael Werner is pleased to announce a solo exhibition of paintings by American artist Don Van Vliet, also known as Captain Beefheart (1941-2010). Featuring small- and large-format paintings and drawings made between 1979 and 1994, the exhibition reveals the compelling evolution of Don Van Vliet’s oeuvre. The b / w short film from 1993 “SOME YOYO STUFF” by Anton Corbijn will accompany the exhibition. Van Vliet painted throughout his many years performing, and in the mid-1980sRead More →

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Whilst the Michael Werner Gallery has an exhibition devoted to Don’s paintings another of his works is also on display as part of a group exhibition. This exhibition is called “Valley of Gold: Southern California and the Phantasmagoric” and includes work by Man Ray and Marcel Duchamp. According to the publicity from the gallery: Valley of Gold explores the aesthetic legacy of the European surrealists and others who worked with similar sensibilities on the art of Southern California. Examining the influence of this charged period, the exhibition traces how its effects percolated through later movements such as California abstraction, conceptual art, and Light and Space.Read More →

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Updated: 4 March 2020 It’s been a while since there has been an exhibition of Don’s artwork. If you’re lucky enough you can catch this latest show called Don Van Vliet: Parapliers the Willow Dipped, Paintings 1967-1997 at Michael Werner’s Gallery in New York. Venue: Michael Werner 4 East 77th Street New York, NY 10075 Date: 31st January – 11th April (extended from original date of 31st March) Monday to Saturday 10am – 6pm There is also a pre-show reception on 30 January (6pm – 8pm) which will feature Nona Hendryx. Presumably Nona will be performing some of her Beefheart covers.   If you can’tRead More →

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[alert_box type=”info”]This review of the 2017 exhibition ‘Works On Paper’ was published on The Quietus website 5 August 2017 [/alert_box] See original article Look At My Beef Art: Works On Paper By Don Van Vliet Adam Lehrer An exhibition at Michael Werner’s New York gallery looks at works on paper in watercolour, gouache, and coloured pencil, by American outsider icon Don Van Vliet aka Captain Beefheart. Objectively critiquing the visual art works of a famous musician (or actor, or novelist, etc.) is no small order. How do you not immediately view the work through the lens of the music that you already know well andRead More →

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A 1993 poetry reading CD was included in the Stand Up To Be Discontinued exhibition book and later reproduced in the Pearls Before Swine book. It included readings of the following poems: Fallin’ Ditch The Tired Plain Skeleton Makes Good Safe Sex Drill Tulip Gill At the time, many found the recording shocking and upsetting. This was the first time Don Van Vliet had been widely heard in public since 1982’s Ice Cream For Crow and the intervening 11 years had clearly not been kind. He sounded far older than his 52 years and rumours of illness seemed to have confirmation. Today, I think theyRead More →

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Published by Cantz Paperback £21.95 1993 ISBN 3-9801320-2-1 Hardback Limited Edition (1500) with CD £32.50 1993 ISBN 3-9801320-3-X Deluxe Slip Cased Limited Edition (120) with original etching £180.00 1994 136 pages with 70 colour plates Contents: Don van Vliet in Bielefeld: Andreas Beaugrand Animals and Black Ladies: Karsten Ohrt Don van Vliet – The Painting: Jessica Rutherford “Stand Up To Be Discontinued”. On Don van Vliet as Painter and Musician: Paolo Bianchi Pearls before Swine. Ice Cream for Crow. On the Relationship between Music and Painting in Captain Beefheart’s Work: Luca Ferrari Captain Beefheart: Diedrich Diedrichsen Don van Vliet: Roberto Ohrt Fur Don van Vliet:Read More →

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One of the many myths surrounding Don’s early years involves his association with a Portuguese sculptor called Agostinho Rodrigues (sometimes written as Augustino Rodriquez). Don’s story is that he trained under this artist and appeared on a weekly television programme with him sculpting wild animals at Griffith Park Zoo. Searches for information about Rodrigues (using variations on the spelling of his name) have come to nothing. However, in 2003 a bit more about Rodrigues, Don and animal sculpting came to light. The Rhino art box Riding Some Kind Of Unusual Skull Sleigh included a book called Splinters, a collection of personal photos and other ephemeraRead More →

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[alert_box type=”info”]This article appeared in the 21st August 1994 edition of The Independent on Sunday, prior to the Stand Up To Be Discontinued exhibition opening in England.[/alert_box] Don Van Vliet is probably the only full-time painter who used to be a mythical figure in music. Once Captain Beefheart, he is soon to exhibit in Brighton. Ben Thompson sent him a fax. DON VAN VLIET lives in the small and beautifully named town of Trinidad in Northern California, up by the Oregon border, 135 ft from the ocean. He paints there. He is a painter of note – “Stand Up to Be Discontinued”, the second BritishRead More →

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[alert_box type=”info”]From the Stand Up To Be Discontinued book, Cantz, 1993[/alert_box] Ice Cream for Crow. On the Relationship between Music and Painting in Captain Beefheart’s Work Those who, over the last twenty years, have loved the music of Captain Beefheart cannot forget that he decided to abandon the music scene (it would seem definitively) to devote himself full-time to painting. Specialist rock critics, who were left the sad task of a retrospective tribute to his career, each time have boldly tried to establish correlations bet-ween yesterday’s music and today’s painting, acting in a way that is markedly ‘reparative’ and which, implicitly placing diachronic continuity toRead More →

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[alert_box type=”info”]This highly recommended interview was taken from the January 1988 edition of Spin magazine.[/alert_box] Don Van Vliet was born in Glendale, California, on January 15, 1941, the only child of Glenn and Sue Van Vliet. Don began showing artistic talent at a very young age but Glenn and Sue were none too keen on having an artist in the family. “Cause you know, all artists are faggots,” Don explains. When he was young, the family moved to the Mojave Desert, an isolated, brutal environment that they hoped would bleach the creative juice out of their son. But Van Vliet’s drive to translate the worldRead More →

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[alert_box type=”info”]From the 18th December 1985 New York Times[/alert_box] A painter whose first one-man show in New York runs through Saturday at the Mary Boone Gallery, 417 West Broadway, may be better known to music-lovers than to the art world. The prestigious gallery, which has represented David Salle and Julian Schnabel, has a show of eight large, boldly colored canvases by Don Van Vliet, the composer, saxophonist and harmonica player who has been making records since the 1960’s as Captain Beefheart. The style of such paintings as ”Eye Whine” and ”Gum at the Bottom of the Grocery” will be familiar to owners of the albumsRead More →