A number of musicians have played on various Beefheart albums but have not necessarily been members of the Magic Band. They have been session players brought in to provide a particular instrument or sound. Here’s a brief list of who they were, what Beefheart albums they contributed to and other albums they may have released.
- backing vocals on Clear Spot
A trio of female backing vocalists for hire who seem to have been busy doing session work during the 1970s, often 2 or 3 sesions a day. The mainstay of the group was former Ikette Venetta Fields. A number of other girls were in the group over the years but at the time of the ‘Clear Spot’ recording the likely line-up was Venetta Fields, Billie Barnum and Clydie King (who was once with the Brothers & Sisters of Los Angeles whose album Gene Pello – see below – performed on).
I haven’t been able to find a discography for them but they were on the 1971 album ‘L.A. Getaway’ by Joel Scott Hill, Chris Ethridge and Johnny Barbata. During 1972/73 they were backing singers for Humble Pie and then Pink Floyd on tour.
At some point The Blackberries broke up and Venetta Fields relocated to Australia during the 1980s where she did some backing vocals for Australian musician John Farnham, and for Barbra Streisand when she toured there.
- keyboard and star machine on Bluejeans and Moonbeams
A regular session musician whose speciality was the Hammond organ with a style similar to Jimmy McGriff.
Over the years he did a lot to promote the careers of many of the great blues and R&B artists he considered were being ignored and forgotten by booking them into clubs around his home patch of Orange County.
During the 80s he gigged with his own band, The Blues Caravan, but his musical career began to stall when he was diagnosed with diabetes. He battled the disease for several years, even setting up the Diabetic Educational Foundatiion to help other victims, before taking his own life in 1990 aged 49.
He has released some instrumental albums under his own name.
- ???? Jimmy Caravan & His Jazz/Blues Organ on Vault DJ 9007
- 1968 Look Into the Flower on Tower 5103
- 1969 Hey Jude on Vault~
- 1985 The Blues Caravan on GNP-Crescendo
He also has one track on a Blue Note sampler (cassette only?)
- 1996 Blue Juice
- drums on The Spotlight Kid
Originally from New Zealand Clark was in several bands there and in Australia during the 60s – the Silhouettes and The Executives being two of them. He became a well known pop star there for a while. His band went to Los Angeles to record an album but broke up instead and returned to Australia.
Clark, however, stayed on in LA and became a studio drummer before hooking up with a young Billy Joel in 1971. He became part of Joel’s touring band for about four years and recorded with him on a couple of albums, Piano Man and Cold Spring Harbor. During the late 70s through to the 90s he was regularly a part of Hoyt Axton’s band. In more recent times he’s been based in Huntington Beach and can be found drumming for the Freddy Fender Band
- keyboards on Bluejeans and Moonbeams
No information available.
Dr Samuel Hoffman
- theremin on Safe As Milk (Electricity and Autumn’s Child)
Born in 1904 Hoffman was a violinist who performed popular music under the name of Hal Hope. He trained as a chiropodist but kept up his musical life. He led his own bands – in 1936 he had one called Hal Hope’s Electronic Trio.
In the early 30s Hoffman was offered a theremin in lieu of a debt which he accepted as he was intrigued by the machine. He went on to be one of the most celebrated theremin players of his day.
He moved from New York to Hollywood and provided the theremin soundtrack to Hitchcock’s film ‘Spellbound’ which set him up with a steady stream of film and television work. He died in 1968.
He did quite a bit of recording during his career but only released a few albums – these sound rather tame nowadays but fascinating stuff none the less.
- 1947 Music Out Of The Moon
- 1948 Perfume Set To Music
- 1949 Music For Peace Of Mind
These have been released in a lavish 3 CD box set, although be warned there is only 54 minutes of music!
- 1999 Theremin on the Basta label
- 2004 Waves in the Ether: Electronic Music 1947- 49 on Revola CRREV58
- log drum (Zig Zag Wanderer and Dropout Boogie) and percussion (Abba Zaba) on Safe As Milk
- percussion on Clear Spot
Session percussionist (but not a drummer) and vibes player. Was a member of Loggins & Messina band throughout the early and mid 70s but continued with session work. Played on most of Ry Cooder’s 1970’s albums as well albums by Art Garfunkel, Little Feat, Loggins & Messina, Joni Mitchell, The Monkees, Poco, Martha Reeves, Ringo Starr, and James Taylor.
- bass on Bluejeans and Moonbeams
Composer, producer, engineer and musician (guitar, bass, mandolin, keyboards, percussion) and brother of Magic Band member Elliot Ingber (Winged Eel Fingerling).
Here’s a far from exhaustive list of albums Ira Ingber has been involved with:-
- 1981 The Grandmothers: Grandmothers
- 1982 The Grandmothers: Lookin’ Up Granny’s Dress
- 1984 Dean Ray: Earth Stood Still
- 1985 Bob Dylan: Empire Burlesque
- 1986 Bob Dylan: Knocked Out Loaded
- 1986 Bonnie Raitt: Nine Lives
- 1988 Kristen Vigard: Kristen Vigard
- 1990 Karla Bonoff: Wild Heart of the Young
- 1990 Canned Heat: Gamblin’ Woman
- 1990 Canned Heat: Burnin Live
- 1991 Brian Wilson & Van Dyke Parks: Orange Crate Art
- 1993 The Grandmothers: A Mother of an Anthology
- 1994 Canned Heat: Internal Combustion
- 1996 Various Artists: Rock and Roll Doctor (Lowell George Tribute)
- 1996 Bob “Catfish” Hodge: Adventures at Catfish Pond
- 1998 Bob “Catfish” Hodge: Bare Necessities
- 1999 George Kahn: Conscious Dream
- 2000(?) Fraternity of Man: X
- 2000 Aquablue: Carousel of Dreams
- 2003 Frances Plante Scott: Conspiracy Cocktail
- 2003 Donald Rubinstein: Painted Stranger
- 2003 Suzanne Buirgy: The View from Here
- 2003 Jessie Allen Cooper: Sound Travels
- 2004 Miriam Cutler: Da Capo – Circus Flora and its magical show
- percussion on Safe As Milk (Yellow Brick Road)
Real name: Henry St Claire Fredericks. As a member of The Rising Sons with Ry Cooder and Gary Marker, how Taj became involved with the Beefheart album is fairly obvious.
He has been a very successful blues and roots musician in his own right over four decades and still going strong.
A complete discography is available at the Taj Blues website although no mention is made of his involvement with Safe As Milk.
- keyboards on Unconditionally Guaranteed
No information available.
- guitar on Safe As Milk (Autumn’s Child)
- guitar on Clear Spot (Too Much Time)
Ry Cooder’s brother-in-law. Titelman started out as a session guitarist with Phil Spector. He is a successful songwriter and also works as a producer. He has worked with Eric Clapton, Steve Winwood, George Harrison, the Bee Gees, Meatloaf, Paul Simon, Brian Wilson, the Allman Brothers Band, James Taylor, Rickie Lee Jones, Chaka Khan, Randy Newman …
He has about 40 songs listed on BMI. One of these, written with Jack Nitzsche, Gone Dead Train sung by Randy Newman, appeared in the film ‘Performance’ (which also, coincidentally, included several tracks with great slide from Ry Cooder on the soundtrack).
- drums on Bluejeans and Moonbeams
Originally known as Eugene Pellicci, Gene Pello attended the same Santa Monica high school and played in some teenage bands with Gary Marker. As an established session musician he has played with The Jackson Five, Michael Jackson, The Monkees, The Ventures, The Brothers and Sisters of Los Angeles (gospel covers of Dylan songs), Diana Ross, The Marketts, Smokey Robinson, Lou Rawls and Screaming Jay Hawkins to name but a few.
- bass on Bluejeans and Moonbeams (Observatory Crest)
Another session musician. Has jazz leanings but has appeared on albums by Dr John (Gris Gris), Merry Clayton (who sang with one line-up of The Blackberries), The Monkees, Frank Zappa (Lumpy Gravy), Sonny and Cher, and Buffalo Springfield.
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WHERE HAS THE WONDERFUL DEAN SMITH GONE TO?? IS THIS HIM ?http://www.sonicbids.com/deansmith
I don’t think so. One review from 1999 refers to him as ‘a young man’ so i think this one is the wrong age.