I had a message from Claire from Brooklyn: A few months ago I was getting tattooed by Myles Karr at Three Kings Tattoo in Greenpoint, Brooklyn. I asked him what his specialty was. “Anything weird.” he said. “Oh, so like, the cover of Captain Beefheart’s ‘Trout Mask Replica’?” I asked, referencing the first “weird” thing that came to mind His eyes widened. “YES. Anywhere you want it, as big as you want it.” In his excitement he quoted me a ridiculously cheap price. I couldn’t really pass up such an offer from one of Brooklyn’s finest tattooers…. So now I’m wearing my very own Replica
Skeletonbreath – the band at MySpace. Invincible Czars perform Upon the My-O-My at YouTube. Ty Segal performs Dropout Boogie at YouTube. Album review of Lemons at Pitchfork. Snow Patrol include a reworked Observatory Crest in their Late Night Tales compilation. The version Snow Patrol have chosen is not the original Bluejeans and Moonbeams cut but the A Carrot Is As Close As A Rabbit Gets To A Diamond version which is prefaced by Eric Drew Feldman’s intro to Making Love To A Vampire With A Monkey On My Knee. Odd. Bob Dylan’s album Theme Time Radio Hour, Season 2 on Ace Records includes Ice Cream
Captain Beefheart’s celebrity gate-crashers bring gift of beetle bones: It would be hard to find two rock stars who are more fixated on Captain Beefheart than Alison Mosshart of The Kills and Jack White of The White Stripes. Both groups have recorded Beefheart songs and continue to play them live. Jack White dressed up as Captain Beefheart on the photo shoot for Get Behind Me Satan and in interviews Alison Mosshart regularly expresses her yearnings to be with Don Van Vliet. There’s one musician who’s alive but isn’t working any more that I would do anything to do something with – and that would be
I have great respect for anyone who attempts to cover any of Beefheart’s songs. So what do you say when someone decides to cover a whole Beefheart album! Well, that’s just what Benjamin Horrendous has done. Singlehandedly, he’s (in his own words) ‘messed’ with each song from The Spotlight Kid to come up with his own vision of this great album. Find out more about it at Benjamin’s site.
We’ve just received an announcement about the Fast ‘N’ Bulbous performance scheduled for Tuesday, March 10th in New York. Fast ‘N’ Bulbous performs at (Le) Poisson Rouge Tuesday March 10th 2009. NOTE: GUITARIST GARY LUCAS HAS FALLEN ON THE ICE AND INJURED HIS ELBOW. HE IS EXPECTED TO MAKE A FULL RECOVERY, BUT WILL NOT BE ABLE TO APPEAR AT TUESDAY’S PERFORMANCE. HOWEVER FAST ‘N’ BULBOUS WILL STILL PERFORM AS SCHEDULED, AND PLAY MUSIC FROM THE NEW RECORD. GUITARIST PAT IRWIN (B52s, Raybeats. Eight-Eyed Spy) WILL FILL IN FOR GARY FOR THIS GIG. COME ON DOWN FOR A GREAT SHOW! Celebrating the release of their
Captain Beefheart at The White House The next time you’re visting The White House please do have a glance at your hosts vinyl record collection. According to Rolling Stone magazine The White House Record Library includes at least one Captain Beefheart album, Trout Mask Replica. Whether The White House copy of Trout Mask has ever been played, or whether the collection has been added to since 1981 is not mentioned. Mighty Boosh and the £23,000 Van Vliet Noel Fielding of Mighty Boosh has reportedly bought his parents a painting on canvas by Don Van Vliet. The Sun newspaper writes that he paid £23,000 for the
Alison Mosshart of The Kills has again been committing her thoughts about Captain Beefheart to the media. This time, in The Independent, she fantasizes about Captain Beefheart dueting on Harry Irene with Kim Gordon, Moe Tucker on drums and Guy Picciotto on guitar. He sounds haunting, forceful, confident and humorous, of the future and of the past, all wrapped up in one whip of the tongue. The Black Keys version of Her Eyes Are A Blue Million Miles will appear on a new compilation of classic songs taken from Warners back catalogue and covered by present-day Warners artists. Covered, A Revolution in Sound: Warner Bros.
That Don Van Vliet’s compositions are danceable is without question. Two German comedians, Ulan & Bator, have formalised that pleasure by getting close to a diamond (or a rabbit) at YouTube. [youtube https://www.youtube.com/watch?v=D8qS9RpSL-c]
A review at IGN.com of a new HD version of WipEout, a Play Station game, contains some tantalising information about the custom soundtrack, “which is a cinch to port over, though from our experience Captain Beefheart doesn’t make the best accompaniment to the world of anti-G racing and homing missiles.”
Jimmy Carl Black Benefit Concerts A benefit concert for former Mother of Invention and Magic Band member Jimmy Carl Black has been arranged for November 9 at Bridge House in London. Jimmy recently underwent an operation for lung cancer in Germany and the proceeds from this event will go towards his expenses. Among those appearing will be Zappa and Beefheart cover band The Muffin Men and Zappacademic writer Ben Watson. Tickets cost £20. The Muffin Men are contributing to several other JCB benefit gigs. The first of these is Stockport For Jimmy – Indian Aid on Sunday October 26, 4-8pm, Bakers Vaults, on the Market
It has been a while since we last had news of a performance from Big Eyed Beans from Venus, the Athens, GA based Captain Beefheart tribute band. This week there are two. This Thursday, May 22nd, sees them play at Lenny’s in Atlanta, “This we be the most awesome show yet heard by man or woman alike,” as Lenny’s website informs us. On Friday, May 23rd, Big Eyed Beans from Venus turn up at their old floppy boot stomping ground in Athens, Caledonia Lounge. I’m told that the set list will be mainly compositions from Trout Mask Replica and earlier. At Southern Shelter you can
Alex Waterhouse-Hayward took this photograph of Don Van Vliet wearing a Harris Tweed jacket in Vancouver during the last days of the final Captain Beefheart and the Magic Band tour in January 1981. Two more of Alex’s photographs of Don can be seen at Alex’s website. I particularly like the concert shot which shows Don in eyeball to eyeball contact with a member of the audience who had had too much to think. Many thanks to Alex Waterhouse-Hayward for allowing us to reproduce his photograph here. Hot Head at the High School Talent Show A spirited rendition of Hot Head was recently performed at Daphne
Beefheart Night at New York’s Knitting Factory on April 9th has prompted many eye-witness accounts, photographs, and audio and video files from the event. Here are links to some of them. David Lynch reads Pena Robyn Hitchcock & Gary Lucas perform Sure ‘Nuff ‘N’ Yes I Do Glenn Kenny’s account Photographs from Prefix Mag / Lori Baily Gary Lucas’s blog Monday April 14, 2008 ‘An Inspired Evening of Beefheartiana’ by Steve Holtje As soon as Culture Catch’s film of the event is released, we’ll link to it here. Peter Warner wrote this review of the evening: For the Love of Don… And what a glorious
Beefheart Night at The Knit, the April 9th tribute to Captain Beefheart in New York, promises to have even more treats and surprises than we listed at Up Sifter here on February 23rd. There are so many more treats and surprises in fact, that Fast ‘N’ Bulbous: The Captain Beefheart Project’s performance of Don Van Vliet compositions has been put back from 10.00 to 11.00 to fit them all in. Fast ‘N’ Bulbous, incidentally, will be previewing some arrangements from a planned second CD, as well as playing material from their first CD. Among the additional speakers to have been added to the already burgeoning
Recent music links Here I Am I Always Am played by The Black Keys at SXSW 2008 in Houston on March 12th. Andy Haas (former Martha and the Muffins saxophonist, now better known through his work and associations with the NY downtown music scene) offers an unusual and reflective version of Abba Zabba (two minute sample here) on Radio I-Ching’s new CD, The Fire Keeps Burning, available from CD Baby. Another Abba Zabba involving several other NY downtown musicians performing as Fast ‘n Bulbous was recorded at WFMU in 2004. Here it is at YouTube. Benjamin Horrendous has just put up 4 Beefheart covers, and
This item has been updated with a new post, Even more treats at The Knit, 2 April 2008. Update – 9 March 2008 Wednesday 9th April at The Knitting Factory Main Space, 74 Leonard Street, New York City. Gary Lucas curates Beefheart Night at the Knit, a salute to the Music, Poetry and Art of Don Van Vliet, a/k/a Captain Beefheart. Proceedings beginning at 8:00pm with a screening of rare Beefheart videos and documentaries and the spinning of unreleased tracks. This is followed by a reading of Don Van Vliet’s poetry, and reminiscences by special guests including: Lee Ranaldo Alan Vega Roswell Rudd Kurt Loder
Had an email from Grant who plays in a Canadian band called The Surfdusters, and does a radio show on CJSF Radio. This Tuesday, August the 14th, he’s doing a show of Captain Beefheart covers from various singles and compilations. It’s on CJSF from 5:00 to 7:00 PM, Pacific time – listen if you can. I’ll give it a listen if I can convert Pacific time to British Summer Time…
Several home-made versions of Captain Beefheart numbers have been posted at nearby websites in the past few days. EvilFactman’s work in progress, Big Dummy, is at iCompositions. The vocals are not so far included. Matt LeGroulx’s versions of Hobo Chang Ba, Hot Head and One Red Rose That I Mean along with a Sugar ‘N Spikes (which is also waiting for its vocal track) are at his MySpace page. Matt says that Rockette Morton helped him out with cds of the individual guitar, bass and drum parts to make it easier for him to figure them out.
Lewis Taylor’s slightly sought-after version of Trout Mask Replica has hitherto been available on the web only in dribs and drabs . This weekend it is downloadable in its entirety, along with a mish-mash of other Lewis Taylor rarities at Okayplayer. [now removed] Lewis Taylor retired from the music industry in 2006. Findlay Brown, on the other hand, released his first recordings in 2006. One of the A-sides of his second single was the Captain Beefheart song ‘I’m Glad’. The Guardian described his live rendition of this song as a “luminous ballad“, while The Times heard it as “Johnny Cash-borrowing“. I’m Glad is downloadable at
Lick My Decals Off, Baby is simply not a composition which readily lends itself to being performed. So when I found Puttanesca’s video of one of their Lick My Decals Off, Baby rehearsals at their MySpace page I wrote to ask them to send me all sorts of obsessively interesting details about it. Weba Garretson, the group’s vocalist, promptly responded with an an engaging account of their work on the piece and included a scan of part of the transcription they used (click on the image for a readable version). [wp_quote]Decals is an evolving process for us. The version on the CD is similar to