Ry Cooder, with his group, and Captain Beefheart and the Magic Band, bowed to the New York Press at Ungano’s in mid-winter. Both are among the more progressive Warner/Reprise acts, though their use of musical traditions accounts in part for their unique sounds. Cooder, on first, played a brief set composed entirely of country blues pieces from the 1920s and 30s, originated by Blind Willie Johnson, Sleepy John Estes, and others. His bottleneck guitar, and his mandolin styling as well, were classic in that he approached his material as a series of composed pieces. (Few country blues pieces were improvisational in character; most were workedRead More →