[alert_box type=”info”]This small piece was taken from the 27th November 1998 edition of the New York Times and was written by Grace Glueck. Many thanks to Michael H. for sending it along.[/alert_box] Don Van Vliet Knoedler & Company 19 East 70th Street Through Dec. 5 Known in an earlier incarnation as the rock musician Captain Beefheart, Don Van Vliet left the music world in the late 1970s to concentrate on painting. Self-taught, he works in a primitive style, deploying crude animal and more abstract shapes in black and various colours on snowy white grounds. For a rock musician, he knows how to keep his decibels
Living on a cliff overlooking the Pacific since the early eighties amid the redwood forests and wildlife, Don Van Vliet has embraced painting with the same controlled passion that made him, as the avant-garde rock composer and performer Captain Beefheart, a cult figure of conspicuous influence and one of the genuine musical geniuses of the past twenty years. Self-trained as a painter and knowing relatively little about the history of art or the current scene, he is a modernist primitive but also an artist whose remarkable intuitive gifts and love of nature have combined to create highly charged paintings that are at once jolting as
The Knoedler & Company press release: Don Van Vliet Recent Paintings November 11 – December 5, 1998 One senses that Van Vliet doesn’t see these images so much as receive them. They rise up in him, like dreams which seem to arrive from some remote and mysterious place, and they emerge on the canvas. – John Yau (1) Knoedler & Company, in association with Michael Werner Gallery of New York and Cologne, is pleased to present an exhibition of the recent work of Don Van Vliet. Don Van Vliet (b. California 1941) was a critically recognized underground composer, rock musician and author in the mid-1960s,
[simple_box] New Work was an exhibition which ran from 11th November – 5th December 1998 Presented at: Knoedler & Company -Established 1846- 19 East 70th Street New York, NY 10021 In association with Michael Werner Gallery [/simple_box] The paintings Official press release Catalogue notes ArtNews advertisement Piece from New York Times American Primitive on Madison Avenue – report from Neato
One of the earliest and little known of Don’s exhibitions. This time it’s shared with Cal Schenkel, Frank Zappa’s ‘art engineer’, who also worked for other artists represented by Herb Cohen, including Tom Waits, Tim Buckley and Captain Beefheart. Perhaps one of Cal’s best-known album covers is Trout Mask Replica. The venue was an art gallery at the school which Matt Groening was attending at the time: Evergreen Galleries at The Evergreen State College in Olympia, WA. Matt Groening’s interest in Captain Beefheart and the Magic Band is well known.
An exhibition entitled ‘Don Van Vliet Works On Paper‘ runs 27 October 2007 – 1 December 2007 at David Kordansky Gallery in Los Angeles. The exhibition is organized in collaboration with Michael Werner Gallery and includes Van Vliet works from the mid-1980s to the early 90s. The opening reception will be held on Saturday, October 27th from 6 to 9 pm. Further information can be found at David Kordansky Gallery’s website. David Kordansky Gallery, 510 Bernard Street, Los Angeles, CA. 90012 Tel. 323-222-1482 Fax. 323-227-7933