Kristine McKenna is an American music journalist who has written for Wet, NME, Rolling Stone, Vanity Fair, The New York Times, The Washington Post and many other publications. Over the years she has often written about Don, having interviewed him a number of times she was trusted by him and became a friend of his. In 1987 she had Don take part in a phone-in programme with her on her late night KCRW show. Some of this show is included in ‘Electricity: Conversations With Captain Beefheart’ available as part of KCRW’s ‘Lost Tapes’ series. In this Kristine talks about her encounters with Don and also
[alert_box type=”info”]This article originally appeared in the December 1982 edition of Musician magazine. It focuses on the making of the Ice Cream For Crow video, and includes an interview with Don conducted at that time.[/alert_box] Don Van Vliet was born in Glendale California on January 15 1941, the Only child of Glenn and Sue Van Vliet. Don began showing artistic talent at a very young age, but Glenn and Sue were none too keen on the prospect of having an artist in the family (“‘Cause you know, all artists are faggots,” is how Don explained their rationale), so they moved to the Mojave Desert, an
18th October 1987 interview with Don’s friend Kristine McKenna. Hear it!
[alert_box type=”info”]This article first appeared in Mojo Magazine, December 1993 as an introduction to an interview with the man himself. Please also see John French’s response to this article.[/alert_box] He is alive. A recluse. Painting in seclusion up near the Oregon border. There have been weird signals through the ether since he stopped making music 11 years ago, but they were faint, confused, unintelligible. But now Dave DiMartino has finally made contact with the man who used to be Captain Beefheart. It is entirely fitting that Don Van Vliet, painter of international repute, and one of a handful of truly legendary figures in rock ‘n’ roll,
[alert_box type=”info”]This highly recommended interview was taken from the January 1988 edition of Spin magazine.[/alert_box] Don Van Vliet was born in Glendale, California, on January 15, 1941, the only child of Glenn and Sue Van Vliet. Don began showing artistic talent at a very young age but Glenn and Sue were none too keen on having an artist in the family. “Cause you know, all artists are faggots,” Don explains. When he was young, the family moved to the Mojave Desert, an isolated, brutal environment that they hoped would bleach the creative juice out of their son. But Van Vliet’s drive to translate the world
[alert_box type=”info”]This excellent interview was taken from the 1st May 1980 edition of Wet magazine. The photograph is by Leonard X and the drawing is by Don Van Vliet.[/alert_box] Captain Beefheart is a visionary / madman / genius who makes remarkably original music. A sculptor / painter / poet / philosopher of the primitive surrealist persuasion, Beefheart has never confined himself to the commonly accepted realm of possibilities. Perceiving the universe with magic and gleeful eyes, he tosses conventional approaches to language and music out of the window, and replaces them with an astonishing system of his own design. His startlingly irregular music marries rural
[alert_box type=”info”]Taken from 29th July 1990 Los Angeles Times. Later appeared in an edited form in December 1993 Mojo Magazine under the title ‘Run Paint Run Run'[/alert_box] Once known as avant-garde musician Captain Beefheart, Don Van Vliet has quickly won the art world’s attention as a painter The art world tends to regard popular entertainers with a peculiar mix of infatuation and disdain. Though artists, musicians and movie people amiably rub elbows on the cocktail-party circuit, artists bare their teeth when actors or any of that ilk seek legitimacy as practicing visual artists. Maybe it’s jealousy or territorialism, or maybe they figure the commitment required