As we all know, Chicago is renowned for having its roots firmly planted in the blues. That, of course, makes it fertile territory for Captain Beefheart who unmistakingly got his start with the idiom (listen to his Budda LP SAFE AS MILK or an obscure A&M single from the mid-sixties Fryin’ Pan). No matter how far from its standards he journeyed in his avant garde jazz – verbal, imagery period well expressed on TROUT MASK REPLICA and LICK MY DECALS OFF BABY, he never really lost touch with it, he just used it as a launching pad for widely unexplored musical regions. Now, he’s returnedRead More →