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I went to the symposium last night Jan 13 2011 with my neighbor Bret. It’s good we had the address because it was in a pretty much unmarked dark or black colored building. The address was covered with the same dark paint. The entrance was down an alley by a parking lot. Above the door was a big red sign that said absolutely nothing. The only thing that tipped us off was the line of people waiting outside. It was a pretty nice crowd. The event started about 8:30pm with Gary Lucas talking a little about Don and about how he first heard of Captain BeefheartRead More →

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ISBN 0 7043 8073 0 You can order this book from Amazon.co.uk or any good UK book sellers. ‘Everything they did I had ’em do. I mean I’m a director. I don’t wanna boast or anything like that, but I am an artist. And the thing is that sometimes artists are considered horrible after they direct something. Y’see those guys, they fell too far into my role, and then they didn’t like me after that. It happens in theatre and everything. But I can’t think of myself as doing something wrong, because I asked them everyday, “Are you sure you want to do this?” IRead More →

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This lecture took place at the Gifford Auditorium, Syracuse, 23rd April 1975. Don is fairly quiet throughout the lecture; when asked a direct question he gives not so much oblique answers as abstract statements beamed into his brain from who-knows where. When asked to talk a little about Trout Mask Replica, Don instead quotes sections from Sam With The Showing Scalp Flattop. Unmissable, but not particularly helpful. Frank Zappa, who does the vast majority of the talking, makes considerably more sense with his genuinely insightful ruminations on the workings of the music industry. Lecture part 1(44 minutes 26 seconds) Lecture part 2 (44 minutes 48 seconds)Read More →

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Welcome to my very favourite item here at the Radar Station. It’s a streaming audio interview broadcast on the John Peel show on the 24th April 1973. Fourteen minutes long, it is less of an interview than a friendly chat. John Peel states at the beginning that he is notoriously bad at interviewing people, but this is one of the best interview I have ever heard with the Captain and really captures his sense of fun. This tape was sent to me by Peter Cooney, many thanks indeed. Click to hear the show.Read More →

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By  Michael Tearson – hear it! This interview was recorded for the radio station WMMR in (probably ) February 1972. Tearson was a pioneer underground radio DJ and had been a fan for some time. His first radio show for WXPN back in 1967 was called “Beefpower” in honour of the Captain. The text of the interview along with a short commentary by Tearson was published in Terminal #19 – June 1985Read More →

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Here you will find streaming audio files which make up a full interview which took place in California, July 1969, between Don Van Vliet and Meatball Fulton. Divided into 5 parts, each part is just over 20 minutes long for your convenience. You may occasionally hear sentences abruptly clipped due to the original tape running out in the machine recording the conversation. I doubt there is a more complete audio version of this interview available anywhere. This is a fascinating interview, with Don making a startling succession of inspired observations about music, art, drugs, literature, human society, nature etc etc. I tip my hat toRead More →

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Elaine Shepherd’s classic BBC documentary, introduced and narrated by John Peel. Completely wonderful, a 50 minute joy: Reviews, articles, blog posts, etc. relating to The Artist Formerly Known As Captain Beefheart. When the film was first screened by the BBC, it was followed by the Anton Corbijn / Don Van Vliet short Some YoYo Stuff.Read More →

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Don Van Vliet is probably the only full-time painter who used to be a mythical figure in music. Once Captain Beefheart, he is soon to exhibit in Brighton. Ben Thompson sent him a fax. DON VAN VLIET lives in the small and beautifully named town of Trinidad in Northern California, up by the Oregon border, 135 ft from the ocean. He paints there. He is a painter of note – “Stand Up to Be Discontinued”, the second British exhibition of his work, arrives in Brighton in September to confound anyone who doubts this – but he used to be a painter of notes. Until theRead More →

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Ice Cream for Crow. On the Relationship between Music and Painting in Captain Beefheart’s Work Those who, over the last twenty years, have loved the music of Captain Beefheart cannot forget that he decided to abandon the music scene (it would seem definitively) to devote himself full-time to painting. Specialist rock critics, who were left the sad task of a retrospective tribute to his career, each time have boldly tried to establish correlations bet-ween yesterday’s music and today’s painting, acting in a way that is markedly ‘reparative’ and which, implicitly placing diachronic continuity to his basis, has no logical or cultural justification in the CalifornianRead More →

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He is alive. A recluse. Painting in seclusion up near the Oregon border. There have been weird signals through the ether since he stopped making music 11 years ago, but they were faint, confused, unintelligible. But now Dave DiMartino has finally made contact with the man who used to be Captain Beefheart. It is entirely fitting that Don Van Vliet, painter of international repute, and one of a handful of truly legendary figures in rock ‘n’ roll, gifted us with a song entitled The Past Sure Is Tense on the last album of his career; 1982’s Ice Cream For Crow. While the former Captain BeefheartRead More →

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A painter whose first one-man show in New York runs through Saturday at the Mary Boone Gallery, 417 West Broadway, may be better known to music-lovers than to the art world. The prestigious gallery, which has represented David Salle and Julian Schnabel, has a show of eight large, boldly colored canvases by Don Van Vliet, the composer, saxophonist and harmonica player who has been making records since the 1960’s as Captain Beefheart. The style of such paintings as ”Eye Whine” and ”Gum at the Bottom of the Grocery” will be familiar to owners of the albums ”Shiny Beast (Bat Chain Puller),” ”Ice Cream for Crow”Read More →

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Photograph copyright Anton Corbijn, used by kind permission There’s no doubt in my mind that Don Van Vliet (better known by his nom de disc, Captain Beefheart) is one of the most extraordinary humans on the face of the Earth. A few years ago, in a youthfully effusive frenzy, I called him an ubermensch (superman, for you non-Nietzscheans), something he’s never let me live down. But the man isn’t so much a superman, as… well, a separate genus and species of humanity all his own. That’s utter dogshit, of course – the man’s body has the same creaks and groans, and produces the same stinkyRead More →

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The first thing Don Van Vliet does when you meet him is to bring you immediately into his world. “Those people over there take too many showers,” he said to me seconds after I walked into his manager’s Greenwich Village apartment for our interview. “There.” He led me over to a window and pointed across the courtyard to a large living room. “They parade around there in their bathrobes!” I hadn’t even taken my coat off, but I felt comfortable already. Van Vliet / Captain Beefheart is a fun guy to be around. We sat down and he pointed to my light blue socks, commenting,Read More →

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He’s alive, but so is paint. Are you? Don Van Vliet is a 39-year-old man who lives with his wife Jan in a trailer in the Mojave Desert. They have very little money, so it must be pretty hard on them sometimes, but I’ve never heard them complain. Don Van Vliet is better known as Captain Beefheart, a legend worldwide whom the better part of a generation of New Wave rock ‘n’ roll bands’ have cited as one of their most important spiritual and musical forefathers: John Lydon/Rotten, Joe Strummer of the Clash, Devo, Pere Ubu, and many others have attested to growing up onRead More →

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The stars are matter. We’re matter. What’s the diff, Zoot? Don Van Vliet, aka Captain Beefheart, has emerged after six years of semi-retirement with a great album. Since the release of Clear Spot in late ’72, offerings from the Beefheart camp have been both infrequent and less than heartening. Even Van Vliet dismisses outright the two muffed Mercury albums, Unconditionally Guaranteed and Bluejeans and Moonbeams, and apart from guest shots on Frank Zappa records and ”hard Workin’ Man” from the Jack Nitzsche produced soundtrack to Blue Collar, there’s been precious little “product” to keep the faithful going. Yet the past year has seen a numberRead More →