We are very pleased to announce that Moris Tepper has agreed to a series of exclusive interviews with the Radar Station about his time with Don and the Magic Band, his solo music career and his work as an artist. Moris was guitarist with the Magic Band from 1976 until 1982, the longest serving guitarist with the band under his full name of Jeff Moris Tepper. He later went on to record a number of solo albums, as well as working with P J Harvey, Tom Waits and Frank Black. These interviews will take place over the coming months and will be posted here onRead More →

At the end of 2025 Moris Tepper released his seventh solo album, A Hand Carved Life, on his Candlebone label. This is his second album since his return to making and recording music following a brief hiatus of 14 years. This new album is probably his most accomplished to date and showcasing how he has matured as a songwriter. Moris has agreed to do a series of interviews with the Radar Station and we decided that the first of the series would be about this new album. We get to talk about his songwriting method, some of his influences and coming to terms with theRead More →

Well, we’re getting off to a great start this year with a couple of new releases planned. Bongo Fury 50th Anniversary Only a year late but welcome none the less, Bongo Fury gets a deluxe release on CD. This will be available from 20 March 2026. There will be 5 CDs of material (roughly 80% unreleased) including studio outtakes and live tracks plus the two Armadillo concerts complete and remixed from the original 16-Track Masters. Also includes unseen photos and liner notes from band member, Denny Walley, plus Vaultmeister Joe Travers. Blu-Ray features new Dolby Atmos, 5.1 mixes, and high-resolution stereo audio with bonus surroundRead More →

On Friday 29th August 2025 Robyn Hitchcock performed the Safe As Milk album live at The Chapel, San Francisco. A second set Deep Cuts & Classic Tracks  included a selection of other Beefheart songs from the later albums. The musical director for the show was Allyson Baker from the San Francisco rock band Dirty Ghosts. She and her husband played a couple of Beefheart songs with Robyn Hitchcock at The Chapel in May 2025 – Electricity and Zig Zag Wanderer – and enjoyed the experience so much that they wanted to do it again. By coincidence the promoter of the show that night had anRead More →

The photography for the Strictly Personal album was the work of Guy Webster. The wonderfully bizarre inner gatefold photo of the band has been discussed in another post. The other photos for the album were taken at a separate session, probably at Webster’s studio and the resulting images were colourised and mocked up as postage stamps for use on the front of the album to help it look more like a real package that had been through the mail. Apart from these five images that were used on the album there were probably other ones taken on the day too. None of these have everRead More →

When I put together the Radar Station tribute to Elliot Ingber I approached his brother, Ira, and asked him if he’d like to contribute something. Ira said he’d prefer to talk to me about Elliot. So over the course of three facetime sessions we spoke about Elliot’s career and a whole bunch of other related stuff. It’s taken me a while to collate it all as there was a hell of a lot to sort through, but, finally, here is a transcript of our chat about Elliot. I also took the opportunity to ask Ira about his involvement with the Bluejeans and Moonbeams album. IRead More →

In March 2025 I spoke at length to Ira Ingber about his brother Elliot when putting together a tribute following Elliot’s death and I took the opportunity to ask Ira about his involvement with the Bluejeans and Moonbeams album. Not much is written about this 1974 Beefheart-lite album because it’s not liked by many hardcore fans. So, I thought it would be of interest to find out a bit more about how it came together from someone who was involved with the recording. Our chat inevitably rambled over other Beefheart topics and so I have also included some of  these reminiscences and comments from IraRead More →

Henry Kaiser has put together this video tribute for Elliot featuring some solo guitar inspired by Elliot’s time in the Magic Band and a group version of Alice in Blunderland originally performed in 1995. The video also includes contributions from Scott Colby, Max Kutner plus Jimmy and Morgan Agren.Read More →

Here at the Radar Station we were saddened to learn of the death of Elliot Ingber on 21st January, he was 83. This is Don’s simple but expressive sketch of ‘Mean E’ taken from the cover of The Spotlight Kid album which also included this poetic sketch, also by Don : No B.O. for this boy it’s like a winged eel fingerling crawling thru lime jello it’s like chrome black eyebrow rolled out real long a paper brow magnifying glass fried brown, edge scorched, yoked like a squeak from a speaker behind forehead of the time, licorice schtick open tube of valuable JuJuBees. Our shortRead More →

Back in October of 1971, I went to see Captain Beefheart and The Magic Band at the Gymnasium at Tuft’s University in Medford, Mass. This gig was shortly prior to the early 1972 release of their THE SPOTLIGHT KID album. I was 19 years old and I had seen earlier incarnations The Magic Band of going back to 1967. I had all the Beefheart albums in my record collection, and I knew all the songs. Something was different at this show; there were new songs and there were unprecedented improvised blues-rock guitar solos on many of the tunes – from a guy with long hairRead More →

“The Winged Eel slithers on the heels of today’s children” —Don Van Vliet, Beatle Bones ’N’ Smokin’ Stones Elliot Ingber (or Winged Eel Fingerling as he was a known during his time with Captain Beefheart and the Magic Band) has the distinction of being one of the only of the celebrated guitarists who passed through the ranks of The Magic Band to enjoy total freedom—free reign, as it were– to improvise long psychedelic guitar solos by Don Van Vliet — a band leader notorious for insisting that his musicians pretty much stick to the notes and forms laid down in their marathon rehearsals. Elliot is probablyRead More →

My perspective will be different than most who knew Elliot as was in the band for just a few weeks in 1975, the Knebworth band, Soundstage Show public television and the Roxy, Hollywood. I also did some recorded jams with Beefheart, Jimmy Carl Black, Elliot and myself. He was a serious guy. He worked hard on his guitar parts to be exact. I sometimes switched back and forth between guitar parts from the albums. Elliot never complained about having to then switch his guitar parts. One night I stayed at Elliot’s home. He had a lot of dental floss strands draped over a door knob,Read More →

Sad news today: Elliot Ingber just passed away. I first met Elliot a few days after Ry Cooder quit the band in June of 1967 after the Mt. Tamalpais Fantasy Fair incident. Don Van Vliet and I went to the famous “Log Cabin” on Laurel Canyon Blvd. There was a party going on, but we went into a room there that I think was Miss Christine’s room. It was filled with amps and drums, and a guy who looked a great deal like King Neptune was playing lead. Don and Elliot were already acquainted, apparently. The band was “Fraternity of Man.” Elliot asked Don toRead More →

Elliot the wonderful hipster!!…. He became a respite from “ THE HOUSE” for me and because it was just us working on the tunes we would go off into blues land. Those were the best moments for me because he was in his element. One time we were rooming together in Manhattan and we had the window open, he asked me “what key is New York in?” I told him definitely F# … with a long pause I added “minor”  … he was thrilled! I had so many funny times with him. We hadn’t connected for many years and a few years back we hadRead More →

I’ve had the thrill of hanging out with various affable weirdo geniuses from the Magic Band over the decades, but the strangest meet-up was a dozen years ago with Elliot Ingber. Guitarist pal Henry Kaiser was visiting L.A., and he invited me to tag along for a super-secret clandestine rendezvous with Winged Eel Fingerling himself. (Henry had first seen Captain Beefheart and the Magic Band perform in 1971, and Elliot’s searing guitar solos were so galvanizing that the next day Henry bought his first guitar and changed his life. You can hear Henry’s band Monster Island play “Alice in Blunderland” on a 1976 7-incher.) AccordingRead More →

Track list Side 1 I’m Gonna Booglarize You Baby Her Eyes Are a Blue Million Miles The Smithsonian Institute Blues (Or the Big Dig) My Head Is My Only House Unless It Rains Click Clack Side 2 Low Yo Yo Stuff Too Much Time Clear Spot Lick My Decals Off, Baby Big Eyed Beans from Venus Rhino blurb : Captain Beefheart’s “Now Playing” vinyl LP includes 10 seminal tracks from across the artists’ catalog. Introducing Captain Beefheart & His Magic Band ‘Now Playing’- a diverse mix of blues, soul, and experimental rock, featuring songs like “I’m Gonna Booglarize You Baby” and “Her Eyes Are aRead More →

A great cache of previously unseen photographs of the band’s 1973 concert at the legendary Rainbow Theatre in London have finally seen the light of day. The photographer, Jan Podsiadly, had considered the shots were not good enough until he took another look just recently. Here’s what he has to say : It has been about six years since I dug out a set of negatives of Captain Beefheart and the Magic Band performing at The Rainbow, in 1973. The contact sheet suggested a lot of blur and overexposure from the spotlights so I just copied one image and left the rest. Just now [FebruaryRead More →

Great news ! Another Beefheart album gets the Record Store Day treatment by Rhino/Warner. For release on 20 April 2024 will be The Spotlight Kid (Deluxe Edition), which means a second disc of outtakes from those sessions is included. There will be 7000 copies on 140g ‘milky clear’ vinyl. The track list of the bonus disc is as follows : C1. THE WITCH DOCTOR LIFE (instrumental ) [5:27] C2. SEMI-MULTICOLORED CAUCASIAN (instrumental)* [4:37] C3. YOUR LOVE BROUGHT ME TO LIFE (instrumental) [3:11] C4. TWO RIPS IN A HAYSTACK/KISS ME MY LOVE [2:38] C5. HARRY IRENE [3:33] C6. BEST BATCH YET (TRACK) [VERSION 1] [2:18] C7.Read More →

Cinematic. From his first words he sets it out, frame by frame. The situation whereby us folk gather in a circle stunned by the alien assault and preparing for the next wave of human annihilation. Possibly the circle of “earth people” is world leaders in a United Nations type emergency meeting, but it doesn’t really matter. The greatest existential challenge portrayed in fascinating drama- all in just a few words. Lyrically perfect. Perfect. Perfect. Over the years as I struggled to decipher the lyrics to some of his songs and grasp their meaning, I would have many moments of enlightenment and laugh aloud-did he identifyRead More →