Engene Chadbourne & Jimmy Carl Black Pachuco Cadaver FIRE ANT FACD1007 CD Various Artists The Music Of Captain Beefheart Live ULTIMATE AUDIO ENTERTAINMENT UAE DISC3 CD In June 1993, Eugene Chadbourne and Jimmy Carl Black came to England and toured from Hoxton Square to Hebden Bridge. On route they recorded a session for Radio 3’s Mixing It. Guitarist and banjo player Chadbourne is a product of No Wave, turned around by hearing Derek Bailey. Long ago he recorded three albums of subversively comic free improvisation, then teamed up with John Zorn to tour America playing deranged Country music. Drummer Jimmy Carl Black was a founderRead More →

Mike Barnes follows the pioneering trail blazed by Captain Beefheart and The Magic Band. Don Van Vliet, aka Captain Beefheart, was born in Glendale, a suburb of Los Angeles, in 1941. 16 years after his last record was released, he is still one of the most talked about musicians of his generation. His most famous work, the double album Trout Mask Replica, inevitably makes an appearance in any chart purporting to feature the best albums of all time (most recently it featured in Channel 4’s Music Of The Millennium) and he is still cited as an influence and inspiration by musicians of all persuasions, fromRead More →

Few rock artists as washed up – and seemingly past it – as Captain Beefheart was in 1974 have come back with new music as dazzling as that on Bat Chain Puller. Having flirted disastrously with commercialism, the nadir of which was Bluejeans and Moonbeams, he took a lengthy sabbatical, returning two years later, aged 35, with an album legendary for the wrong reason – it has never been released. Occasionally it harks back to the complexities of Trout Mask Replica but is more measured, with a vivid, plangent, colourful sound. The remit is as wide as anything Beefheart had attempted before: pop songs, poeticRead More →

One day, every moment of existence will be available for endless re-examination on Deja-VD. The Past will enjoy a renewed period of exponential growth. The present will simply disappear, consumed by living memory boiled in esprit d’escaliers. In the future, when nothing will happen once and for all, quality control will become impossible. In the meantime, we can amuse ourselves with barrel-scraping exhumations of every event ever exposed to magnetic tape. This latest addition to the ever expanding Beefheart archive collects ‘field recordings’ made between 1972 and 1980, from seven English performances by different formulations of The Magic Band. The sound quality is variable inRead More →

Although it was their third released album, Captain Beefheart and the Magic Band arrived with 1969’s sprawling Trout Mask Replica. The ability to appreciate its seemingly random, all-but-impenetrable 2LP length seemed beyond the ken of all but the most hardcore weirdos. Those who were able to decode Trout Mask felt that they had passed a grueling test. Few who were able to successfully complete this mission could resist the impulse to become missionaries of the Beefheart cause. The prevailing notion was that Don Vliet (as his mother knew him) had descended to earth from a planet very near Sun Ra’s, and that the music heRead More →

Captain Beefheart likened making music to going to the bathroom – it’s not something he wants to look back on. Here, Mike Barnes grills the Revenant label on the ethics of its ‘unauthorised’ CD retrospective that claims its rare unguarded moments reveal the true Beefheart. “Some of the most compelling moments in Captain Beefheart’s recorded legacy have been heard by just a handful of people.” So says Dean Blackwood, co-founder with John Fahey of Revenant Records, on the motivation behind the label’s forthcoming five CD collection, Captain Beefheart & His Magic Band Grow Fins: Rarities (1965-82). Comprising acetates, demos, concert recordings and radio broadcasts, itRead More →

As a small child, Don Vliet (the Van came later) collected hair from his Persian cat and moulded it into the likenesses of other animals. By the age of 13, he’d completed the mammals of North America and Africa, and had developed a special fondness for ayes-ayes, dik-diks and other strange lemurs. Then he moved onto fish. Mike Barnes acknowledges early on in his book the refined capacity of Captain Beefheart, Don Van Vliet’s magical persona, to embellish accounts of his own remarkable life, and Barnes rightly establishes a place for such elaborations within this critical biography. After all, as Henry Thoreau used to insist,Read More →

It took a while for the main music mags to react to Don’s death because of their advanced editorial deadlines. Here are some of them that have produced tributes of significance: Record Collector #385 February 2011 In their ‘Not forgotten’ obituary section Kris Needs (former Zigzag editor) has written a very good piece. It is only one page but it packs a lot in The Word #96 February 2011 An eight page spread, ‘A fish out of water’, that has some good points with Mark Ellen looking at his art as well as his music but also disappoints (the David Hepworth piece) by perpetuating aRead More →