Extracts from The Teenage Diary Of Colin
B. Morton by Colin B Morton, Britain’s Most Influential Zen Buddhist
Part 6: School Weirdo Theory: Towards A Better
Rock School
The point I made about Rock Schools in my last column so inspired
me that I have decided to address the topic more fully. I know you
will permit me this indulgence. After all, did the great Phil Collins,
that fantastically versatile actor, musician, and all-round good
guy, not return time and time again to the subject of his wife having
left him for a painter and decorator?
This approach has produced such masterpieces as "In The Air
Tonight", about a man who rescues another man from drowning
while his wife is carrying on with a painter and decorator, and
"Another Day In Paradise" about Phil walking along seeing
all the poor people starving and thinking "it’s all right for
them, none of their wives have gone off with painters and/or decorators".
Also there was that fantastic Genesis concept album, Then There
Were Three.
By the way, some of you may have been taken in by the occasional
digs I have at Phil Collins in these columns. As with Eric Morecambe
and Des O’Connor, this is all done in showbiz esprit de cameradie.
I am in fact good pals with Phil, and we often go golfing together
whilst his young wife (lovely girl) supervises the painting and
decorating of his LA mansion. And so it is I give you…….
Rock Schools part II
It is my firm belief that the British educational system is so
incompetent as to be little more than a lottery, and, dear reader,
I present myself to you as living proof of this. On paper, according
to the aforementioned system, I am thick as shit. When I was at
school, I failed everything. Absolutely everything - even art and
English, at both of which I am pure dead brilliant. Some people
are just no good at passing exams. Conversely, there are others
who are good at passing exams and nothing else.
Consequently I spent my precious teenage years struggling to pass
exams when my time would have been better spent doing precious teenage
things such as jacking off and making model aeroplanes, to use Kurt
Vonnegut’s memorable phrase. Night after night trying to commit
useless nonsense to memory. What passes for "plot" in
the works of Jane Austen (some man has looked at some woman - "oh
how handsome he is" "he looked at you" "no he
didn’t" "yes he did" - for about three hundred pages
then they get married), the English imperialist version of history
(as my friend and collaborator Mr Camden Joy has pointed out, "all
of history is written by a man called Victor") and maths. Eventually,
after much struggle, I managed to scrape by the English literature,
the history, etc, but I could never get to grips with maths.
"In real life there is no algebra" - someone on "Twin
Peaks", the 3rd best TV show in the history of the
world, said that. (The Simpsons and Dr Who when Tom Baker was in
it, since you ask).
Later on, when I was struggling in vain to find a job, constantly
being asked if I had passed maths, constantly saying no, I suddenly
had a brainwave. What if I lied on the application form? What if
I simply put down that I had passed maths? I did so. I got a job
straight away.
No one had told me the most important thing of all, which was this:
in later life I would be able to put whatever qualifications I like
on application forms because the stuff you learn in school is largely
bullshit which never comes up again, and nobody checks.
If you want a job just to earn money, and don’t want to become
a brain surgeon or go on "Late Review" talking artwank
about some book that some guy wrote, you can get clean away with
lying every time.
I am fully of the opinion that you get all the education you need
in everyday life by the time you are about 10 years old, and the
rest is a big brainwash thing that determines what use you will
be to capitalism. So: just as there is nothing morally reprehensible
in stealing stuff from work, there is also nothing morally reprehensible
in lying to get work. You’ve learned all the maths you need in everyday
life in junior school. The vast majority of people will never be
required to find the value of X (it changes the next time anyway
so what’s the point?) When my brother was at school he sat next
to a chap called Billy Ellis. Whereas I was incapable of passing
maths, Master Ellis took things a stage further: he was unable to
comprehend the very reason for its existence. He was once asked
one of those questions that go "John goes to the shop. He has
a pound. He buys three oranges a banana and a box of matches (etc)…
how much is a box of matches?"
Billy Ellis wrote down "6p", which was self-evidently
nowhere near the answer. Asked how he arrived at this, he replied
"I bought a box of matches yesterday, and they cost 6p".
I put it to you that this is true enlightenment.
While we’re at it, you may as well lie about a few others. English
literature, art, in fact any subject that’s not likely to come up
in whatever job you’re applying for. As the educational system is
a lottery in which thick people pass loads of exams while smart
people such as myself fail everything, you are very unlikely to
be found out. And what if you are? You don’t get the job, which
you wouldn’t have got anyway. Tis logic!
I am telling you this because I don’t want you to get too worried
about Rock Schools.
They are (A) unworkable and (B) contrary to the very spirit of
rock music. I will explain:
School weirdoes have been the lifeblood of rock music ever since
rock music began. Elvis Presley himself was a school weirdo. School
weirdoes know in their hearts if not their brains that education
is a big brainwash thing, the main purpose of which is to determine
what use you shall be to capitalism. What is to say that school
weirdoes would do any better at Rock School than they would at plain
regular ordinary school? Indeed, they would probably do worse. As
I touched on in my last column, examples of people who would have
most likely failed rock school in their day: the Sex Pistols, the
Stooges, the Beatles, Hendrix, Captain Beefheart, and indeed the
Manic Street Preachers (who appear to be the only high-profile contemporary
band who are actually fulfilling their rock-star duties IE being
feisty, awkward, and thought-provoking, a matter I will address
in a future column. Eminem is about as thought-provoking as the
Tory Party Conference). And just to show I am being even-handed
and not playing favourites; The Smiths. And as I said last time,
Phil Collins would pass rock school. This would surely be an intolerable
state of affairs I think you’ll agree.
When I get into an argument about the educational system with one
of those dimwits who think they’re smart just because they’ve got
a degree or several in something useless, they usually say I am
resentful because it failed me, which of course is true. I am resentful
because I have been condemned as stupid for life by an arbitrary
system, well ex-cuuuse me, what do you expect? The other thing they
say is "what would you replace it with?" Well, I have
many ideas re: what I would replace it with. (EG: English literature…
let people read what they like rather than compulsory Jane Austen
and that Welsh-hating racist bastard Shakespeare. Maths: see Innumeracy
by John Allen Paulos). However, that ain’t gonna happen until we
get our Worldwide Socialist Utopia in the 25th century,
so meanwhile I would advocate not setting so much store by it… hence
the lying through your teeth guerrilla-tactic advocated above.
In the case of Rock Schools I have a very good idea indeed. Education
is compulsory, we’re not going to get away from that. As with politics,
people who most wish to become rock stars are often the least suited.
For this reason, if Rock School is to exist at all, it should be
compulsory. Certain round rules and fixed penalties should be rigidly
enforced, whereby, rather than people being qualified for becoming
rock stars, anyone falling below a certain level would be irrevocably
disqualified from rock-stardom.
As some of our most excellent rock stars include Mark E Smith and
David Thomas of Pere Ubu, it is obvious that musical ability, personal
charm, and physical appearance should have no bearing on the matter.
Here are some suggestions for misdemeanours. things that points
would be deducted for:
1) BEING THE SON OR DAUGHTER OF AN EXISTING ROCK STAR OR SHOWBIZ
PERSONALITY
Almost entirely without exception, the sons and daughters of existing
rock-stars are mere 2nd rate imitations of their parents.
Julian Lennon! Dweezil Zappa! Frank Sinatra Junior! Etc. I could
never see the fuss when Jeff Buckley died because surely there would
be another one along in a minute (Hawksley Workman).We could logically
extend this argument to include Mockney Pipsqueak Damon Allbran
whose dad was a roadie for Soft Machine. He recently condemned Westlife
as "mind-numbingly dull" which is as blatant a case of
pot-kettleism as ever I have come across. Have you noticed them
Blur guys are always trying to get cred-by-association? Hanging
out with all that crap Brit-artwank crew. My favourite Damien Hirst
piece is Self Portrait Bisected In Formaldehyde. He hasn’t
made it yet but I live in hope. And whoever told Keith Allen he
was Welsh? But I digress.
There was only one person ever in the entire history of the twentieth
century who made a worthwhile fist of popstardom despite having
a well-known showbiz personality as a father, and this person was
curiously enough the daughter of one of the most influential figures
in the entire history of showbiz. I refer of course to Nancy Sinatra,
who was (A) nothing like her dad and (B) very good indeed (The argument
for exclusion of Nancy from showbiz would have been purely academic
however because her daddy would merely have sent some of his, er,
acquaintances round to have a little word…) Sean Lennon isn’t doing
too badly either but he is cancelled out by Julian.
Think about it: we may lose a few top stars this way but think
of all ones we’ll get. Ones who got there on merit alone
rather than just because their dad was a roadie for Soft Machine
or in the Beatles.
2) BEING THE BROTHER/SISTER OF AN EXISTING ROCK STAR OR SHOWBIZ
PERSONALITY
Similar scenario to last time. Less-talented sibling gets in on
act. Chris Jagger, Nicky Wire’s brother. Mark E Smith’s sister Pat
E Smith. When have they ever been worth the effort of listening
to? There were hundreds of James Taylor’s relatives being signed
at one point. Whilst few of these people are ever really really
bad, they are never really worth taking any notice of either.
We go now back in time to the Eno household, sometime in the seventies:
(pages go back onto calendar in slow motion while ambient music
plays…)
SCENE: front room. Dad Eno, knackered from his job as a postman
(which, interestingly, concerns communication), is resting. Mam
Eno is in the kitchen cooking (in some ways cooking from a recipe
resembles the oblique strategy composition process used by Brian,
interestingly). Roger is sat there making a model aeroplane. Enter
Brian, hanging up his ostrich costume.
DAD: Oh hello Brian what a surprise, what have you been up to?
How’s Roxy Music?
BRIAN: I have left them and been doing Ambient music, it is really
interesting.
DAD: What’s that then?
BRIAN: It is a new form of music I invented where not much happens
and you ignore it. ROGER (looking up from his model aeroplane) Do
you have to dress up and do gigs and that?
BRIAN: No, you just play about five notes, put it on repeat whack
some echo on and call it something off an ordnance survey map.
ROGER: Oh, that sounds interesting, can you show me?
As with the example of Julian and Sean Lennon, Noel and Liam Gallagher
cancel each other out, but they have a third brother, Paul Gallagher,
who manages some terrible indie-wuss band whose name I have forgotten.
Also : Frankie Gaye, Tyka Nelson (sister of Prince), Jimmy Lydon,
Radiohead bloke's brother, Livingston Taylor and the hundreds of
Taylor brothers and sisters who all emerged from the woodwork when
he sung that song "Fire And Rain" about how he’d taken
heroin and it made him not very well (well I could have told you
it’d do that you stupid get). Billy Yule, worst drummer ever in
the fake Velvet Underground. Nick Drake’s shameless cashing in on
his sister Gabrielle’s role in Crossroads. Chris Wyatt (only
in the Welsh scrum thanks to the selectors fondness for Rock
Bottom). As with example one, we’d lose a few goodies but the
end would justify the means.
3) PLAYING A TOY ACOUSTIC GUITAR AS IF IT WAS A REAL ONE. Acoustic
guitars have no place in Rock Music. Acoustic guitars strummed rhythmically
and inaudibly whilst being drown out by electric guitars, electric
basses, electric drums, electric tambourines and electric kazoos
doubly so.
4) NOT BEING AN OUTCAST/ WEIRDO AT SCHOOL
The difficulty with this one is that swots and goody-goodies would
go out of their way to be weirdos at school, rather than, as they
do now, waiting until they are at college when it is nice and safe.
I would therefore propose that "rock star grading" is
continuously assessed, and a secret dossier on every pupil kept
until graduation. Not for behaviour in Rock School, but in all the
other classes as well. Sitting at the front, paying attention, and
not chewing in class would result in marks being deducted.
A good friend of mine was at school with that Brett Anderson out
of Suede. You know what he was like? A posh boy goody-goody maths
nerd. I put it to you ladies and gentlemen that whilst posh boy
goody goody maths nerds might have their place in society, IE finding
what X is for the rest of us who can’t be bothered, it ain’t nothing
to do with the wonderful world of rock’n’roll. As evinced by the
fact that Suede… well, they’re crap aren’t they?
To conclude: the idea of the Rock School would appear to be unworkable,
as Rock Music is such an unquantifiable thing and what makes a great
band is so elusive. But, are we perhaps being narrow sighted? Perhaps,
as with Trout Mask Replica and the Popstars TV series, all you have
to do is lock a load of people up and brainwash them, and a pop
group comes out.
Or perhaps, as a certain Prof. Thomas Adelman in Vermont has speculated,
the very ability to rock out itself is genetic. One either has it
or one hasn’t. Prof. Adelman has postulated that it is theoretically
possible to isolate the rock gene and "breed a master race
of rock stars sort of like Boys In Brazil".
Do you have any ideas for rules, which would govern a rock school
such as the model I have postulated above?