Record Review
 
Aranos / Mueller / Rosenau - Bleeding In Behind Pastel Screens
 
by Graham Johnston


  • Title: Bleeding In Behind Pastel Screens
  • Label: Crouton Music
  • Catalogue: Crou010
  • Release: June 2001

Unsurprising that the three musicians featured on this release have created an album with a startling range of styles considering their relatively disparate backgrounds.

Aranos, a multi-instrumentalist from Bohemia in the former Czechoslovakia, has been playing piano since he was 5 years old. As the son of an opera singer he was weaned on classical, folklore and church music before discovering Louis Armstrong.

Jon Mueller improvises with percussion and electronics and more commonly plays drums with instrumental math-rock outfit, Pele, along with several other side-projects such as Collections of Colonies of Bees.

Chris Rosenau, also from Pele and Collections Of Colonies of Bees, plays guitar, banjo and various electronics. His engineering work in the US and Japan has earned him a reputation for having an ability to get noises out of peoples heads and onto tape.

The music produced by this trio is abstract yet easy, semi-industrial ambient with touches of Autechre-like electronica and small elements of Baroque weirdness. The different approaches complement each other beautifully - on "Now Sparkling Ice" the noises of ripples in electronic puddles, solemn drone-vocals and whetted violin phrases fuse to create a magnificently cerulescent soundscape.

It's mostly soothing stuff - the only real exception being "Peculiar Atlantis Game Fish" which is not so much whale song as electric eel song as it skrates and blips along.

The approach of this trio was nicely summed up by Aranos in a recent interview on the Crouton web site: "[If] somebody wants a bit [of music] for a particular purpose, I might tinker on a piano or a guitar to make up something they might like. If they like it too simple I might try to irritate them. Like the recording company who did not quite get the joke of my Country & Western song and wanted more like that. So I changed it into a Bulgarian tune in 7/8ths with a distorted fiddle solo and 5 minute outro for piano and foghorn. Strangely, the recording co. did not ask for any more C&W, in fact I have not heard from them since."

Since there are only 500 copies of Bleeding In Behind Pastel Screens out there, I suggest you hunt it out while you can.

- Graham Johnston
 
© beefheart.com, September 2001
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