[alert_box type=”info”]Written by Bob Palmer, taken from the April 1971 edition of Jazz & Pop News.[/alert_box] Ry Cooder, with his group, and Captain Beefheart and the Magic Band, bowed to the New York Press at Ungano’s in mid-winter. Both are among the more progressive Warner/Reprise acts, though their use of musical traditions accounts in part for their unique sounds. Cooder, on first, played a brief set composed entirely of country blues pieces from the 1920s and 30s, originated by Blind Willie Johnson, Sleepy John Estes, and others. His bottleneck guitar, and his mandolin styling as well, were classic in that he approached his material asRead More →

[alert_box type=”info”]This article was taken from the March 1971 edition of Jazz & Pop, author unknown.[/alert_box] [youtube video_id=”LRlmTzDyw7s”] A black and white 60-second television commercial for Captain Beefheart’s latest album on Straight/Reprise, Lick My Decals Off, Baby, was refused recently by KTTV in Los Angeles for airing on any of the station’s programs. When asked by the record company as to reasons for not accepting the spot, KTTV station manager Charles Young said, “I just don’t like it. I think it’s crude and don’t want it on my air.” [His air?!] “Let’s say I find the commercial unacceptable and let it go at that.” WhenRead More →