Burundo Drumbi! - John French's Series of Q&As, 2000/1
In early / mid 2000 John French called on Radar Station visitors
for some help writing his book, Beefheart: Through The Eyes Of Magic...
From: Ralf NygÂrd
Sent: Monday, April 03, 2000 6:40 PM
Ralf,
Thanks for your question.
As far as I understand it, you saw some references to Vliet’s
massive use of cocaine in the later years.
I only saw fringes of Don’s cocaine use and never really saw much
of a negative effect. However, one reliable anonymous source made it clear to
me that there was in fact quite a problem with cocaine use in the later music
years.
Why did he start using it in the first place?
I can only speculate on this:
I feel that this use was more due to Don’s unhappiness with his
situation. He and his wife Jan were living in the desert in his mother’s mobile
home. His albums and concert appearances weren’t paying the bills or providing
for any retirement. He may have already known that he had MS, and this probably
terrified him. I know he wanted to provide for Jan, yet he had little or no means
to make the massive amount of money he would need for medical costs, retirement
benefits, etc. For a time, cocaine was probably not only an escape, but perhaps
gave the illusion that more was getting done than actually was.
Did you have any personal or professional contact with him
during that time? If so, how did it affect him as an artist and how did it affect
your views of him and the music?
To speculate, I think it affected his voice, because Ice Cream
For Crow seems terribly weak vocally. Also, there seems to be more and more
early material pulled in for the last few albums.
Despite the fact that I speak rather negatively about Mr. Van
Vliet’s treatment of the band, and his methods of taking complete credit for everything,
I truly to this day still have a great respect and love for him. I think I understand
why he acted in the ways he did, and they were largely due to misconceptions he
had about the world in general, and about personal relationships specifically.
He was, according to his own words to me, a "diagnosed paranoid schizophrenic."
I am sure that many of his behavioural problems were actually symptoms of psychological
dysfunction far too deep for a layman like myself to interpret or analyse with
any degree of accuracy. Often, it seems, near-madness seems to be a close neighbour
of creative genius, Van Gogh being the most popular example I can cite.
I did on one occasion, reprimand Don for inviting a friend to
my house and then indulging in cocaine while there. This was during the Doc
sessions. I asked him never to do that again, as I did not like having drugs on
my premises, not only for moral reasons, but also for the obvious legal problems
that could ensue. He was extremely apologetic and understanding.