This is the Beefheart album very few people are going to hear unless the record and management companies involved with the Captain get moving. It sees Don Van Vliet returning to an area somewhere between ‘Trout Mask Replica’ and ‘Clear Spot’, undoubtedly his most satisfying period. Possibly to prove the claim that he created the sound of his original Magic Band, the Captain has found himself an unidentified band and – guess what! They sound just like a Magic Band. Not the Magic Band, but they go a long way to rediscovering the drive from years past. The album opens with the title track ‘BatRead More →

A classic Cal Schenkel cover surrounds one of the most listenable Zappa / Mothers records since the old days, but anyone coming to this set to hear Beefheart will be semi-disappointed. Semi because he does a lot of singing on Bongo Fury, but what he’s singing are the same old Zappa lyrics, which deal with the same old Zappa hang-ups. It’s a strange experience to listen to the album’s first cut, “Debra Kadabra,” and hear Beefheart singing like Beefheart, but realize a little way into the song that he’s singing what is essentially a continuation of that ridiculous schtick about the poncho. Beefheart singing aboutRead More →

I’ve had some enquiries about whether there’s a vinyl version of the recently remastered Bat Chain Puller. As far as I can make out the Zappa Family Trust will not be releasing one … many Zappa fans have already been upset by the absence of vinyl versions of Mothers and Frank titles so it’s nothing personal towards us Beefheart followers. Inevitably though, bootleggers have stepped in to fill the gap. So, there is now a (white) vinyl version of Bat Chain Puller available. It’s dubbed from the remastered CD and sporting artwork based on it too. It’s even claiming to be a zappa.com Vaulternative release …Read More →

He wrote Plastic Factory, now he sells credit cards – the careers of a Zig Zag Wanderer Second telephone interview between Herb Bermann and Derek Laskie, Tuesday 10th February 2004 (see part one) In The Malibu Times piece you mention that you’ve done other collaborations with music. I was wondering what these might be. Oh gosh, I meet once or twice a year with several songwriters and musicians and we write new material. Marty Grebb, an original Buckingham from Lindsey Buckingham’s group in the sixties, Marty’s a one-man band. Marty toured with Bonnie Raitt for twenty-five years. Marty and I collaborate at least once orRead More →

First telephone interview between Herb Bermann and Derek Laskie Tuesday 13th November 2003 I’d just like to start talking about your poetry, your recent reading for example. How did that go? It went very well. It was very well received. It was some fresh poetry that came to me. Beyond Baroque is the premiere venue for West Coast poets and poetry. It was a packed house and everyone showed up courteously in the thank-you line. So the kid’s still got it, his legs aren’t gone yet. The kid? Me, meaning me. I’m sixty-seven now. I think I’m eight or nine years senior to Don VanRead More →

Art answered a few questions via the Fire Party discussion list which I thought I’d include here for more fans to read. Derek Laskie asked: Was your stage headgear a trophy of some sort, or was it personally styled for you by DVV? I thought the panties would be both suggestive and practical. One ponytail hanging out each leg hole, and one out where the crotch would be. It also kept my hair from flapping around too much. It remains one of the most favorite stage costumes I used. No trophy. The first pair were from my girlfriend. Subsequent ones were store bought. Elliot RogersRead More →

At last, I’m pleased to present an interview with Art Tripp that I thought several times might never get finished. When I originally asked Art if he’d be willing to do this he was happy to do so – he said he ‘an open book’ and I could ask what I wanted. Then, before I could begin asking any questions Art and his partner Kitty were forced to evacuate their home in Gulfport when Hurricane Katrina hit. Luckily, they were safe and unharmed but their home and business premises suffered wind damage although it did escape any flooding. I, of course, put the interview onRead More →

DH: Don, it’s been five years since you last came to England and played. What have you been doing since? DVV: Trying to get the right group to play my music. DH: Aha – you had a lot of trouble? DVV: It wasn’t that much trouble, it was just a lot of childish nonsense, you know, like, uh, with the other group – I mean it takes a long time to get to play what I do. Now I have the perfect thing. Wait till they hear this group. DH: You reckon this band is better than any band you had before? DVV: Best, ohRead More →

Sent to me by Sheldon Reber, bought at a show on 22nd January 1981 in Arcata, California. The striking poster was designed by Jere Smith and, not surprisingly, got a mention from Don a few tunes into the show. The Red Pepper is a bar / bowling alley / cheesy disco, hence Don’s bowling shirt and pins in the illustration. Many thanks to Sheldon for sending this along.Read More →

Sent to me by Charles Holzhauer, from a show on 5th December 1976 at Todd Barkan’s Keystone Korner in San Francisco. Featuring (as you can see) a Van Vliet sketch. Charles wrote about this evening: My friend Paul suggested that I go to an Italian cafe down the street and order a “two day espresso” (the Keystone was in Italian North Beach). I did so, and was soon bouncing off the walls. I knew the bartender at the Keystone, who was sometimes able to get me in free on the guest list, and I could hang around after shows. This I did, and helped DennyRead More →