The Michael Werner gallery in New York has an exhibition on at the moment called ‘Black and White: Drawings for Summer’. It opened on the 14 July and will finish on 9 September. The exhibition features about 20 artists including George Baselitz, A R Penck, and Joseph Beuys. There is at least one piece by Don van Vliet – ‘untitled’ (1999) and is pictured here. More information.
Moris Tepper was an artist before he joined the Magic Band, and he still continues to paint and sculpt as well as play music. For those of you who are within striking distance of Los Angeles you might think about dropping in to see his latest exhibition. It’s called “New Paintings and Sculptures of Moris Tepper”, and is at MJ Higgins Fine Art, Los Angeles from June 24th-August 5th, 2006 All this info and more can be found at Moris’s website.
Ozit have released another Beefheart 2CD set. This time it’s a recording of the last live show ever played by Don and the band – the 31st January 1981 show at the Golden Bear. As usual with Ozit an opportunity has been missed. Find more info in our bootleg section here – http://www.beefheart.com/datharp/albums/boots/captainslast.htm
Art Tripp has spoken exclusively to the Radar Station about his time in the Magic Band. From the astounding Lick My Decals Off Baby to the lacklustre Unconditionally Guaranteed, to the shortlived Mallard and his return for Shiny Beast Art offers a fascinating insight into the the recording of these albums and tells stories of life on the road and playing live. Read the full interview.
A compilation CD, called The Buddah Years, has just been released based on the remastered Safe As Milk and Mirror Man Sessions albums. The good Captain also appears on a new compilation called Creative Outlaws – U.S. Underground 62-70. An interesting collection that includes The Fugs, The Stooges, Blue Cheer, The Great Society, Country Joe & The Fish, Tim Rose, Tiny Tim, and Lothar & The Hand People amongst others. The idea of the album is that the tracks are supposed to represent the preoccupations and ideals of the 1960s counterculture. The Beefheart track included is ‘Dachau Blues’ – an odd selection I would have
At long last! I’m pleased to announce the re-opening of the bootleg section of the discography. A lot of re-coding, re-arranging, and rewriting has gone into making this a bigger and better feature than it was before. However, it’s not completely finished … I’ve still got a few pages I’m working on but I thought as I’d done the bulk of it I’d make it available. As with any other pages on the Radar Station if you have any info you can add, or found something that needs correcting please get in touch.
I’ve learned by now not to hold out too much hope when Ozit release another Beefheart CD. But this time they’re taking the piss … ‘Prime Quailty Beef’ … for heaven’s sake, Ozit, get a grip. This is second rate stuff even if it is decent sound quality (although, at least that’s an improvement on your usual shoddy sound). But ‘Sweet Georgia Brown’! … By no stretch of the imagination is that ‘prime quality’ anything let alone quality Beefheart. So what do we have here? Well, it’s the Crazy Little Things (semi-legitimate release) CD of the 1974 Cowtown, Kansas show (including the two versions of