Track list Peaches En Regalia Willie The Pimp Son Of Mr. Green Genes Little Umbrellas The Gumbo Variations It Must Be A Camel Recording details Date – July – August 1969 One of the first albums to be recorded on 16 track. Recorded at T.T.G., Los Angeles (probably where Mirror Man was recorded), Sunset Sound, Los Angeles and Whitney Studios, Glendale. Album overview from Graham Johnston When I first bought this album I danced around my bedroom with glee while listening to it and then took it out with me that evening to force everyone else I knew to marvel at it too (a surprisingly mixed response if
Track list Ice Cream For Crow Tropical Hot Dog Night Run Paint Run Run Light Reflected Off The Oceands Of The Moon Album overview from Graham Johnston This oddity is a Virgin Records ep from 1982 (VS 534-12). It contains four tunes, the first three of which are readily available on Beefheart’s last three albums. The last tune, Light Reflected Off The Oceands Of The Moon first appeared on this ep and is really an instrumental version of Hey Garland I Dig Your Tweed Coat but with Don’s sax splattered all over the place and a splendid new title. It is now available on The Dust
Press release from Sundazed: Upon signing with A&M Records, Captain Beefheart & his Magic Band debuted loudly, recording two singles in 1966, cementing their image as Sunset Strip “blues fiends” and paving the way for what was to become one of the most original careers in rock history. The band’s cover of Bo Diddley’s “Diddy Wah Diddy” garnered significant regional attention & considerable radio play courtesy of the Captain’s unreal howl & Jerry Handley’s deep, thundering bass sound, while the driving delta tributes “Who Do You Think You’re Fooling” & “Frying Pan” sharply displayed the Captain’s early songwriting prowess. While the Magic Band’s musical course
Track list Sure Nuff N Yes I Do Zig Zag Wanderer Dropout Boogie Electricity Yellow Brick Road Abba Zaba Plastic Factory Big Black Baby Shoes Safe As Milk Gimme Dat Harp Boy Trust Us Kandy Korn Tracks 1-9: Safe As Milk (1999 remastered) Tracks 10-12: Mirror Man (1999 remastered) Album overview from Steve Froy When I first heard about this I thought, oh no, not yet another collection of tracks from Safe As Milk and Mirror Man. However, this one has a bit of a twist to it. A short (47 minutes), sharp compilation of tracks from the remastered releases of Safe As Milk and The
Track list Safe As Milk Upon The My-O-My Son of Mirror Man – Mere Man Party Of Special Things To Do The Floppy Boot Stomp Tropical Hot Dog Night Hot Head This Is The Day You Know You’re A Man Ice Cream For Crow Pompadour Swamp Suction Prints Semi Multicolored Caucasian Gimme Dat Harp Boy Making Love To A Vampire With A Monkey on My Knee Sheriff Of Hong Kong The Witch Doctor Life Tracks 1, 3, 14: Strictly Personal (1968) Tracks 2, 8: Unconditionally Guaranteed (1974) Tracks 4, 11: Blue Jeans & Moonbeams (1974) Tracks 5, 6, 9, 12: Shiny Beast (1979) Tracks 7,
Track list Safe As Milk Gimme Dat Harp Boy Kandy Korn Upon The My-O-My New Electric Ride Party Of Special Things Twist Uh Luck Blue Jeans & Moonbeams The Floppy Boot Stomp Bat Chan Puller Run Paint Run Run Hot Head Ashtray Heart Ice Cream For Crow The Past Sure Is Tense The Witch Doctor Life Tracks 1-3: Strictly Personal (1968) Tracks 4-5: Unconditionally Guaranteed (1974) Tracks 6-8: Blue Jeans & Moonbeams (1974) Tracks 9-10: Shiny Beast (1979) Tracks 11-13: Doc At The Radar Station (1980) Tracks 14-16: Ice Cream For Crow (1982) Album overview from Steve Froy The cover says ‘The Best Of Captain Beefheart
Track list Sure ‘Nuff ‘N Yes I Do 2:16 Zig Zag Wanderer 2:39 Dropout Boogie 2:30 I’m Glad 3:29 Electricity 3:05 Yellow Brick Road 2:25 Abba Zaba 2:41 Plastic Factory 3:07 Trust Us 7:15 Beatle Bones N’ Smokin’ Stones 3:10 Moody Liz 4:31 Big Black Baby Shoes 4:49 Gimme Dat Harp Boy 3:35 Dirty Blue Gene 2:40 Tarotplane 19:04 Kandy Korn 8:02 Album overview from Graham Johnston Another compilation featuring material from the Magic Band’s early years, containing a selection of pre-Trout Mask tunes. If you already have these songs then just forget it. If you don’t already have them then you should still forget it
Track list Sugar Bowl The Past Sure Is Tense Happy Love Song The Floppy Boot Stomp Blue Jeans and Moonbeams Run Paint Run Run This Is the Day Tropical Hot Dog Night Observatory Crest The Host, the Ghost, the Most Holy-O Harry Irene I Got Love on My Mind Pompadour Swamp Love Lies Sheriff of Hong Kong Further Than We’ve Gone Candle Mambo Light Reflected off the Oceands of the Moon A Carrot Is as Close as a Rabbit Gets to a Diamond Album overview from Graham Johnston Compilation of mid-to-late / Virgin-era Beefheart with a track list which seems to have been chosen at random.
Track list Side 1 Gimme Dat Harp Boy Dirty Blue Gene Beatle Bones ’n’ Smokin’ Stones Pt. 1 & 2 Trust Us (take 9) Side 2 Safe as Milk (take 12) Moody Liz (take 8) On Tomorrow Side 3 Big Black Baby Shoes Flower Pot Korn Ring Finger Side 4 Safe as Milk (take 5) Trust Us (take 6) Moody Liz (take 16) Recorded November 1967 at TTG Studios, Hollywood, California 2-LP set on high definition vinyl Sundazed publicity Mastered directly from the original analog tapes and featuring a wealth of unedited takes never before on vinyl, Sundazed’s stunning gatefold double-LP release of this infamously
Many thanks to Borin for sending this along. It originally appeared in Sun Zoom Spark issue 4. You can visit Borin’s homepage. This image is available for sale as a full colour, A3, signed and numbered, limited edition print… Encapsulated in clear plastic to protect print (unless specified otherwise). UK price: £35.00 (USA $49.50) inclusive of stout packaging and postage. (We may also be able to provide colour prints of other images at www.borinvanloon.co.uk; send an email to address below to enquire.) To place order, please email: firstname.lastname@example.org (c) Borin Van Loon. Used by kind permission.
[alert_box type=”info”]This excellent introductory article was taken from the April 1998 edition of The Wire.[/alert_box] Mike Barnes follows the pioneering trail blazed by Captain Beefheart and The Magic Band. Don Van Vliet, aka Captain Beefheart, was born in Glendale, a suburb of Los Angeles, in 1941. 16 years after his last record was released, he is still one of the most talked about musicians of his generation. His most famous work, the double album Trout Mask Replica, inevitably makes an appearance in any chart purporting to feature the best albums of all time (most recently it featured in Channel 4’s Music Of The Millennium) and
[alert_box type=”info”]This article first appeared in the April 1998 Record Collector.[/alert_box] The Legendary A&M Sessions Pop-flavoured R&B from the Californian outback, these rare mid-60s sides are nevertheless notable for the Captain’s Wolf-like growl and harmonica squeals. Some wonky slide guitar, and one or two odd time changes hint at the Magic Band’s wayward future. Safe As Milk Not as psychedelic as its ’67 vintage might suggest, “Safe As Milk” instead provides a thrilling new take on garage-blues. The arrangements are stranger, the voice booms with intimidating authority, and the guitars start to revel in the new rock-era freedoms. Mirror Man Not recorded live in 1965,
[alert_box type=”info”]The Radar Station’s review of The Dust Blows Forward – Rhino’s Captain Beefheart career retrospective.[/alert_box] For the first time in the seventeen years since the musical career of Captain Beefheart drew to a close a comprehensive retrospective collection has been released honouring his work. I am not normally one to buy ‘greatest hits’ albums, but the conspicuous absence of a good Magic Band compilation probing his recorded history has been surprising. Plus the fact that Captain Beefheart never had so much as a whiff of a hit is bound to make this a more interesting collection, especially if you are new to his music.
[alert_box type=”info”]This review was taken from the 1st March 1996 edition of The Guardian.[/alert_box] Rating: **** Excellent DEAD rock star in interesting new recording shock! `This album is not available to the public,’ sneers a voice on Tiger Roach [Don Van Vliet’s voice]. `Even if it were, you wouldn’t want to listen to it.’ Unlike most of the other dead rock stars currently releasing new material, Zappa knew he was heading for his last encore and worked on this album of out-takes, studio tomfoolery and unreleased tracks in the years before he died in 1993. The result is a stimulating addition to the bulging FZ
[alert_box type=”info”]This review appeared in the September 1998 edition of The Wire. It was part of an article entitled ‘100 Records That Set The World On Fire’.[/alert_box] Few rock artists as washed up – and seemingly past it – as Captain Beefheart was in 1974 have come back with new music as dazzling as that on Bat Chain Puller. Having flirted disastrously with commercialism, the nadir of which was Bluejeans and Moonbeams, he took a lengthy sabbatical, returning two years later, aged 35, with an album legendary for the wrong reason – it has never been released. Occasionally it harks back to the complexities of
[alert_box type=”info”]This review for the then-unreleased album was originally published in the 6th August 1977 Sounds.[/alert_box] This is the Beefheart album very few people are going to hear unless the record and management companies involved with the Captain get moving. It sees Don Van Vliet returning to an area somewhere between ‘Trout Mask Replica’ and ‘Clear Spot’, undoubtedly his most satisfying period. Possibly to prove the claim that he created the sound of his original Magic Band, the Captain has found himself an unidentified band and – guess what! They sound just like a Magic Band. Not the Magic Band, but they go a long
[alert_box type=”info”]This review for the Zappa / Mothers / Beefheart collaboration originally appeared in the January 1976 edition of Creem.[/alert_box] A classic Cal Schenkel cover surrounds one of the most listenable Zappa / Mothers records since the old days, but anyone coming to this set to hear Beefheart will be semi-disappointed. Semi because he does a lot of singing on Bongo Fury, but what he’s singing are the same old Zappa lyrics, which deal with the same old Zappa hang-ups. It’s a strange experience to listen to the album’s first cut, “Debra Kadabra,” and hear Beefheart singing like Beefheart, but realize a little way into